Competition brief
Design Competition
Utopia 2023
Key Dates
*All times are in UTC
Prizes
Theme
First Place Winner Of AI Architecture Competition 2022 Organized By Arch HIve And Archi Hacks. Associate Member At Institute Of Architects Bangladesh. I'm a graduate architect. I love to work on parametric architectural ideas. It has been always my dream to have some great skills in computational architecture and get higher studies in this field and build my career in parametric-style architecture
Oliver Thomas is a British architect, leading expert in design technology, and archi-preneur, with extensive experience working on projects at the intersection of design, technology, and fabrication around the world. Oliver has worked in London, Hong Kong, and New York for renowned firms such as Aedas, Front Inc, and BIG. He is currently the Design Technology Manager at BIG and Co-founder of Archi-Tech Network. He has been involved in a range of projects that utilizes technology such as BIM, Computation and Immersive methodologies from early concept design through to fabrication.
Guillaume is an architect and engineer working at 180 Degrees, a design-build firm based in Phoenix, Arizona. He is originally from France where he obtained his Master's degree in Architecture and his Engineering degree. He started his career at Knippers Helbig, a structural and facade engineering firm where he helped design complex free-form structures and learned how to use computation to generate geometries and simulate structural behaviors. He merged his love for science and design at Bjarke Ingels Group where he worked as a project lead and a computational designer. He helped identify and incorporate computational tools into the design process, from the early exploration to solving complex constrained design challenges. He is currently incorporating his knowledge in workflows that spans from sketches to construction and fabrication.
Will Garner worked as a BIM Consultant and Architectural Assistant at Frank Reynolds Architects Ltd for over two years. He has also worked as an Architectural Technologist at the same firm for over a year. Before joining Frank Reynolds Architects, Will served as a Civil Engineer Apprentice at BAM Nuttall Ltd for two years. Will received his education from Loughborough University, where he earned a Master of Architecture degree, a Bachelor of Architecture degree with First-Class Honours, and a BSc (Hons) in Architectural Engineering and Design Management.
He is a technology-driven designer and researcher focused on simulation-based design and generative tectonics. He hold a Master of Architectural from the University of Calgary and Master of Architecture & Urbanism from Architectural Association, Design Research Lab. As a designer, his approach is interdisciplinary to interconnect architecture to science, art and industrial design. He have worked internationally as a designer collaborated with pioneer design firms in Canada and the UK on broad range of projects contributing to mid-rise and high-rise mixed-use residential, office, hotels and institutional projects at various scales and design and management of interior projects. He also collaborates with firms as a design consultant, providing solutions for complex morphology and optimized geometrical topology and tectonics using advanced platforms and computational technology in design to provide the user-oriented design.
Yushang Zhang is an accomplished architect with over 11 years of experience in the field. He is currently working at OMA, where he has been since March 2012. Prior to that, Yushang completed an internship at MAD Architects in 2007, where he gained valuable insights into the industry. Yushang obtained his Master of Science in Architecture from Delft University of Technology, and has been a registered architect in the Netherlands since then.
Riccardo Piazzai is an architect and BIM expert, Co-founder of NORDFY, a Process-driven interdisciplinary Creative Agency specializing in AI, BIM, and Design. NORDFY provides educational training and advisory services for SMEs and creative individuals, at the intersection of disruptive technologies and Scandinavian design principles. With a multidisciplinary approach to problem-solving and design development, he has experience in design, coordination and management. He is adept at utilizing the latest digital technologies to optimize sustainability impact. He has been working in the computational design and BIM fields since 2017, with a particular focus on data-driven design workflows within a strategic framework. Throughout his career, Riccardo has worked in leading firms in Italy, Japan, and Denmark, leveraging his expertise through the use of cutting-edge tools. He has a strong understanding of Artificial Intelligence and Neural Networks in applied creative/design processes and has developed innovative solutions incorporating AI to optimize and streamline design workflows. He is currently enrolled in a second-level Master’s program in Digital Twin and Artificial Intelligence, focusing on digital technologies and processes in the built environment, at the University of Rome, La Sapienza. With a multidisciplinary approach to problem-solving and design development, he has experience in design, coordination and management. He is adept at utilizing the latest digital technologies to optimize sustainability impact. He has been working in the computational design and BIM fields since 2017, with a particular focus on data-driven design workflows within a strategic framework. Riccardo is currently developing the BIM digital strategy of Schmidt Hammer Lassen Architects, bridging the gap between digital technologies and design practice. Throughout his career, Riccardo has worked in leading firms in Italy, Japan, and Denmark, leveraging his expertise through the use of cutting-edge tools. He has a strong understanding of Artificial Intelligence and Neural Networks in applied creative/design processes and has developed innovative solutions incorporating AI to optimize and streamline design workflows. He is currently enrolled in a second-level Master’s program in Digital Twin and Artificial Intelligence, focusing on digital technologies and processes in the built environment, at the University of Rome, La Sapienza.
1st Place
Rockscapes: Carved Communities for Utopian Living
Rockscapes: Carved Communities for Utopian Living is an architectural project that envisions a collective living utopia, where people unite without any consideration of their race, religion, or gender. The project proposes the innovative use of rocks as a sustainable building material, thereby avoiding land invasion and promoting a harmonious relationship with the environment. By harnessing the potential of caves and carving structures from rocks, Rockscapes creates a diverse range of living spaces that adapt to different climatic conditions. The project draws inspiration from the early stages of human civilization, specifically the primal instinct to seek shelter in caves. By leveraging the inherent advantages of cave dwellings, such as their natural thermal insulation and climate adaptability, Rockscapes aims to create the best architectural shelter, capable of withstanding both hot and cold weather conditions. The use of rocks as the primary building material not only respects the environment but also serves as a metaphorical connection to our origins. It symbolizes a return to nature and a profound appreciation for the slow processes that shaped our planet.
Melek Demiröz
May 12, 2023
2nd Place
Museum for Reducing Greenhouse Gas Emissions in Norway
A futuristic inspired museum with spatial experience for the ability to significantly reduce greenhouse gas emissions and how it aligns with the evolving challenges posed by climate change. It's considered that the Museum's beautifully futuristic design and spatial interiors addresses with the evolving challenges of climate change in Bergen, Norway. By reflecting on the specific features and technologies integrated into the museum's architecture; it significantly contributes to reducing greenhouse gas emissions and fostering sustainability.
Samaher Abouauf
May 24, 2023
3rd Place
A Retro-Futuristic Utopia
To begin our narrative, we must first ask ourselves: What is a Utopia? Philosophers and writers have asked themselves the same question, and their writings picture dozens of different utopic scenarios. From Plato to Marx, from Thomas More to H.G.Wells, their texts led us to reflect on our society and what we seek to achieve for humanity. From the most fantastical to the more cynical utopic scenarios, the concept of Utopia generally dwells on the balance between the individual and collective needs, the harmony between the happiness and freedom of the individual and the collective necessities of his community and the whole of society. In that way, the concept of Utopia is deeply connected to each individual’s personal view of the world, his thoughts, and experiences, as well as the collective needs, flaws, and challenges of each society in its time. To think about a Utopia is to think about the future we would like to achieve for ourselves and the others around us, it is to dream about the society we would like to be a part of. To wonder what the future would be like has always been part of our society’s collective imagination. For the last centuries, humanity has imagined many different futures.19th-century illustrations depict futuristic cities with dozens of airships, balloons, and machines assisting or replacing humans in toilsome tasks. Concept arts from the ’50s and 60’s illustrate flying cars, rockets, space stations, and robots. Whatever the age we live in, our dreams of the future always seem to be a reflection of our own time. Our collective imagination is bounded by the necessities, the technology, the challenges, the culture, and even the aesthetics of the present. When we think about Utopia, our thinking is limited to the problems that can be perceived in nowadays society but we, of course, fail to perceive the problems that are yet to come. Imagining the future has always been a tough task, and through the ages, technology has always been the focal point of our dreams about the future in illustrations and books. What technologies will the future bring? What new challenges will technological advancement bring to society? With the emergence of Artificial Intelligence our society is once again fearful about the future and our relation with technology. Technology advances faster than we can keep track of and it once again threatens to change or dismantle the structures of our society. The illustrations from the past have always shown the machines replacing us in laborious tasks as a good thing so that humanity could concentrate on activities that required thinking and creativity, but now, even that seems to be at stake. It makes us reflect not only about technology but about our society itself. Why do we feel threatened by something we created ourselves? Why the idea of a machine doing our work for us is something that causes us fear, instead of relief? In my own personal Utopia, technological advancement has evolved not to turn Man obsolete but to relieve the burdens of his life. In this utopic society, the true value lies in human life itself, not in what it can produce, and every man and woman is free to do what they choose with their time on this Earth without being threatened by poverty and humiliation, while the machines work on the most arduous task, such as industry and agriculture. In this society, universal basic income guarantees that every basic need of people will be attended, to so they can spend their time not for generating profit, but for personal growth. Where people may dedicate their lives doing what they truly love, and work not for greed or survival, but for solidarity and the collective good and advancement of society. Where their work not only is fairly compensated, but fulfilling as an effort towards the collective wellbeing. In this Utopia, people can spend less time worrying about money or pointless consumption and more time dedicated to their loved ones, art, religion, philosophy, and the search for enlightenment. The creation of this Utopic society might seem completely naïve, unreal, and impossible by any means, maybe just as impossible as the things we see in those 50’s illustrations, the families cutting through the city sky in their flying Cadillacs or the hotels on the moon. My predictions for the future, my own personal Utopia is probably just as imprecise as theirs, and that is why I wanted to represent it in an aesthetic similar to those mid-century retro-futuristic concept arts, with a focus on its architecture and urban design. To conclude, I'd like to cite a quote by Fernando Birri, made famous by the Uruguayan author Eduardo Galeano. When asked what is the purpose of a utopia, he answered: “Utopia is on the horizon. I take two steps closer, it takes two steps away; I walk ten steps and the horizon runs ten steps further. It doesn’t matter how much I walk, I will never reach it. What is a utopia for? That's what it's for: so that I don't stop walking.”
Mateus Sena
June 20, 2023
4th Place
Inaka Resurgence: Utopia from Reconciliation
Currently, Japan is struggling with the looming economic and social implications of a rapidly aging population. Urban centers across its islands continue to gentrify and appeal to younger generations, resulting in the abandonment of rural regions ('inaka') to the hands of the elderly. Given this population crisis that compounds into imbalances in age distribution and urban transformation, the project ‘Inaka Resurgence’ harnesses the power of artificial intelligence to reimagine a sustainable future for Japan’s youth and elderly. Hence, we respond to the following question: How do you revitalize an area facing a rapidly aging population and a diminishing cultural presence?
Young Hoon Cho
June 9, 2023
5th Place
Ballerina's Thoughts
Elena, in her childhood, was impressed by the opera house she visited with her father and began to aspire to "stand on that stage." The opera house stood in a certain town, featuring architecture inspired by the wings of swans. Elena spent her days practicing and eventually grew to the point where she basked in the spotlight there. Her performances on stage captivated people from all over the world. Simultaneously, through her achievements, the opera house became loved by many. It became a gathering place for art enthusiasts and spread the motif of wings in architecture around the world. The accomplishments of this opera house and Elena were passed down through generations, becoming renowned as masterpieces of art. Their eternal presence continued into the future, forever etched in memory as a place of miracles.
kenta miyakawa
June 6, 2023
6th Place
Honorable Mention
Capsule living
The Utopian Capsule Living Architecture is a cutting-edge design concept that aims to redefine the way we think about living spaces. Built around the principle of modularity, this architecture features a series of self-contained capsules that provide a comfortable and efficient living space for urban dwellers. Each capsule is designed to be self-contained, with a compact living space that includes a bed, bathroom, and kitchenette. The design maximizes the use of space, with clever storage solutions and multi-functional furniture that can be easily reconfigured to meet the needs of the resident. The capsules also feature large windows and skylights that provide plenty of natural light, creating a bright and airy living space. The Utopian Capsule Living Architecture also prioritizes sustainability. The capsules are designed to be energy-efficient, with features such as solar panels and rainwater harvesting systems that help to reduce energy consumption and minimize the carbon footprint of the building. Additionally, the architecture is built with sustainable materials and is designed to promote healthy living, with plenty of natural ventilation and air filtration systems. Another key feature of the Utopian Capsule Living Architecture is its emphasis on community. The design features shared spaces such as lounges and co-working areas that encourage residents to interact with one another and build a sense of community. The architecture also includes shared amenities such as laundry facilities and a rooftop garden, which help to foster a sense of connection and cooperation among residents. Finally, the Utopian Capsule Living Architecture is designed to be affordable and accessible. By using a modular approach, the architecture can be built quickly and efficiently, reducing costs and making it more affordable for a wider range of residents. The design also includes features such as wheelchair-accessible entrances and elevators, ensuring that the building is accessible to people of all abilities. Overall, the Utopian Capsule Living Architecture is a bold and innovative design concept that offers a sustainable, community-focused, and affordable living solution for urban dwellers. We believe that this architecture has the potential to transform the way we think about living spaces, and to provide a comfortable and efficient living environment for people in cities around the world.
Andrew Pavlov
April 23, 2023
Honorable Mention
![[ UTOPIA ] x [ ART ] x [ CITY ] = UTOPIARTY](/_next/image?url=https%3A%2F%2Farchhhive-images.s3.amazonaws.com%2F638f6377fceec8001e307b0f%2F55FDA8C1-5B49-4C5A-850A-34114DF1747F-5ada7268-9a7c-4c87-96ac-2ca192379b80.jpeg&w=3840&q=75)
[ UTOPIA ] x [ ART ] x [ CITY ] = UTOPIARTY
Art everywhere! A digital artistic utopia. Between dream and reality… « Utopia is not the unrealizable, but the unrealized. » — Theodore Monod [ Utopiarty ] : the utopian city of art. Digital is everywhere on our screens of phones, tablets and computers. This digitization could extend to architecture to transport us to surreal worlds. Our bodies experiencing a digital architectural walk. Offer dreams, transcend reality, stimulate the imagination. Permanently (or temporarily) transform the city overnight by installing led and/or photovoltaic cladding panels (or visual projections) on the facades. They will be powered by stored solar energy during the day and redistributed during the night. Images and videos inspired by Nature or featuring colorful abstract shapes and all that human creative genius can offer. Each budding or confirmed artist will then one day be able to project their work on the buildings punctuating this utopian city. Citizens will be able to see the full extent of creative talents. During the day, the constructions will return to their normal appearance. The night face of the city will never be the same. It will be in perpetual motion. A nocturnal urban metamorphosis. A open-air museum. A « dreameality »
Julius Roy
April 25, 2023
Honorable Mention
Honorable Mention
Honorable Mention
Exploring the Biomorphic Utopia: Blending Nature and Technology
In the pursuit of a utopian society, humans have long dreamt of harmonious coexistence with their environment. As our understanding of technology and the natural world has evolved, so too has our vision of an ideal future. One such vision is the concept of a biomorphic utopia, a society that seamlessly integrates nature and technology to create a sustainable and balanced existence. By harnessing the power of biomimicry and integrating natural design principles, we can create sustainable, resilient, and harmonious societies.
Chanya Tongthamchart
May 29, 2023
Honorable Mention
Modular living
The Utopian Modular Living Architecture is a revolutionary new approach to building sustainable and efficient living spaces. Designed with the needs of modern urban dwellers in mind, this architecture is an innovative solution to the challenges of urban living. At its core, the Utopian Modular Living Architecture is based on the principle of modularity. The design features a series of individual modules that can be combined and configured in a variety of ways to create living spaces that are tailored to the specific needs of each resident. This modular approach allows for flexibility and adaptability, ensuring that the living spaces can evolve over time to meet changing needs and lifestyles. The Utopian Modular Living Architecture also prioritizes sustainability. The individual modules are designed to be energy-efficient, with features such as solar panels and green roofs helping to reduce energy consumption and minimize the carbon footprint of the building. Additionally, the architecture is built with sustainable materials and is designed to promote healthy living, with plenty of natural light and ventilation. Another key feature of the Utopian Modular Living Architecture is its emphasis on community. The design features shared spaces such as courtyards and rooftop gardens that encourage residents to interact with one another and build a sense of community. The architecture also includes shared amenities such as community kitchens and laundry facilities, which help to foster a sense of connection and cooperation among residents. Finally, the Utopian Modular Living Architecture is designed to be affordable and accessible. By using a modular approach, the architecture can be built quickly and efficiently, reducing costs and making it more affordable for a wider range of residents. The design also includes features such as wheelchair-accessible entrances and elevators, ensuring that the building is accessible to people of all abilities. Overall, the Utopian Modular Living Architecture is a visionary new approach to building sustainable, efficient, and community-focused living spaces. We believe that this architecture has the potential to transform urban living, making it more sustainable, affordable, and enjoyable for residents.
Andrew Pavlov
April 23, 2023
Honorable Mention
A Future of Moroccan Memories
In Morocco, the architectural landscape beautifully blends futuristic and traditional elements, evoking a captivating juxtaposition that combines nostalgia with hope for a promising future. Rich in cultural heritage, traditional Moroccan design elements adorn contemporary structures, transporting people back in time while establishing a profound connection to their roots. Vibrant tiles, intricate geometric patterns, and meticulously carved wooden details serve as reminders of a bygone era, fostering a sense of nostalgia and cultural identity. Simultaneously, futuristic elements seamlessly integrate into the architectural tapestry, symbolizing progress and a forward-thinking mindset. Modern skyscrapers with sleek glass facades stand alongside ancient kasbahs and historic landmarks, creating a harmonious duality of old and new. This blending of traditional and futuristic architecture inspires optimism and hope for a better future, inviting both locals and visitors to reflect on Morocco's rich heritage while embracing the potential for prosperity and sustainability. Community engagement is an integral part of Moroccan architecture, with projects involving local craftsmen and artisans. By involving the community in the design and construction processes, a sense of ownership and pride is instilled, reinforcing the bond between people and their built environment. Education and healthcare facilities exemplify the forward-thinking vision of Morocco, blending modern design with functionality. State-of-the-art medical centers and educational institutions incorporate the best equipment and innovative spaces to foster learning and well-being. Through community engagement, sustainability practices, and innovative design, Morocco's architectural vision embodies its commitment to education, healthcare, and a brighter tomorrow. This combination of traditional charm and futuristic aspirations creates a captivating environment where the past and future coexist harmoniously, promising a vibrant and prosperous future for Morocco.
Farouk Elbattay
May 14, 2023
Honorable Mention
The "Land" We Don't Know
"The Land We Don't Know" is an utopian concept that promotes a sustainable society, unique visual experiences, and diverse activities through an innovative approach to transforming topography. By merging various functions and urban elements such as topography, wetland, and landscape, this design creates public spaces that accommodate natural needs while simultaneously offering diverse spatial experiences. Although organic architectural language creates an encouraging environment for publicness, this conception evolves through its' diversity of inhabitants. It gains importance as a search to create spatial formations specific to place, texture, and culture by leaving conventional construction techniques. Also, utopia benefits from urban elements for sustainable construction and spatializes it by considering social and environmental factors. Consequently, the public spaces, including educational, communal, and residential areas, offer a dynamic living experience for its citizens. While the utopia utilizes the bending of topography and urban elements to create spaces, it also takes into account various scales.
Gültekin Doruk Atay
May 4, 2023
Honorable Mention
Collective Consciousness: A Utopia that Collapses all Subdivisions of Society into One
imagine/ an architecture that is fluid with the landscape, where land and man are equal, where there is no separation between rich and poor, human and machinery, and animal and child. To us, a Utopia abolishes all architectural elements that enables a social distinction between rich and poor. Our Utopia eradicates townships from the grip of redlining and removes the presence of social hierarchy from the atmosphere of the town. This Utopia treats the community as a collective, where residents value the principles of respect, honesty, and equality. This attitude translates into the architecture, where building, man, and nature seamlessly collides into one another, collapsing into a singularity, where there are no divisions. This hostel-like architecture blends all aspects of living into open spaces, allowing for people within the community to communicate, engage, and collaborate openly together. Here in our utopia, nature and humans are not separate and the animals, forestry, and growing roots do not need to be afraid of human presence but rather actively engage and participate in their everyday lives. In this utopia, machinery takes the backburner and individuals choose to connect in person rather than through black screens. Grids are a language of the past, preventing economic subdivisions from forming within the town and rather promotes a welcoming environment through the architecture's connectedness to the land, as if everything was a neural network connecting human and plant life. Curvilinear and open design is used to further support the concept of the collective, where everyone and everything is connected, as if it was a singular body. Here there is a collective consciousness, where no one is better than you, and you are no better than anyone else. Done in collaboration with Julia Kazubowski
Chloe DeMarco
May 9, 2023
Honorable Mention
The future is Guarani
"For those who do not understand our language, I will translate. The Guarani people were like a river flowing slowly in its course when a giant stone was thrown into the stream. The water splashed into many corners. And the survivors are here today gathered together," says the Guarani-Kaiowá Anastácio Peralta, under the nodding eyes of his 'relatives' from Argentina, Bolivia and Paraguay. With this introduction I would like to talk a little about the Guarani people and how they can serve as inspiration for architecture in the future, forming a utopian relationship with nature. The Guarani people of Brazil have a rich cultural heritage that is rooted in their deep connection to the natural world. Their way of life, which emphasized harmony and balance with the environment, can provide inspiration for architects and urban planners as we look towards a more sustainable future. By studying the Guarani's approach to architecture, we can learn how to design buildings that are not only beautiful and functional, but also respectful of the natural world. For the Guarani, architecture was not just about shelter, but about creating spaces that facilitated social interaction and community cohesion. Their traditional buildings were constructed using local materials such as wood, bamboo, and thatch, and were designed to blend in seamlessly with their surroundings. They utilized natural ventilation and lighting techniques to minimize their energy consumption and promote healthy indoor environments. As we strive to create a utopia for our future society, we can draw on the wisdom of the Guarani to design buildings and cities that are in harmony with the natural world, and that promote social interaction, community cohesion, and a sense of well-being. By integrating these principles into our architectural designs, we can create a sustainable future that is both beautiful and functional. The Guarani people, considered the oldest indigenous group in Brazil, possess a rich cultural heritage that has been fragmented due to various social transformations. Understanding the configuration of the first dwellings in the national territory is not only important for historical and cultural memory, but also for understanding the relationship between humans and the living space in contemporary times. To this end, a qualitative research was conducted with a focus on narratives that describe, through documentary and bibliographic records, the customs and relationships that occur within their dwellings. The result is a brief documentation of the origins of cultural diversity, with an emphasis on behavioral approaches from the perspective of housing and the role of women within this society. By studying the architecture of the Guarani people, we can learn valuable lessons about their harmonious relationship with the environment and how to design buildings that are respectful of nature. The traditional dwellings of the Guarani were constructed using locally sourced materials, such as wood and thatch, and were designed to blend seamlessly into the landscape. Furthermore, the role of women within Guarani society is also an important aspect to consider when discussing their dwellings. Women were responsible for the construction and maintenance of the homes, and their knowledge of local materials and building techniques was highly valued. By understanding the architecture and social customs of the Guarani people, we can gain insights into sustainable and respectful building practices that can inform our own approach to architecture and urban planning. Throughout this project, I will not only be discussing the Guarani people, but they were the starting point for the idea. There are many other indigenous communities in Brazil that deserve recognition and attention, including the Xingu tribes, the Yanomami people, the riverine communities, and the isolated tribes. Each of these groups has unique cultural practices, customs, and ways of life that are important to preserve and understand. By exploring the diversity of indigenous communities in Brazil, we can gain a greater appreciation for their contributions to the country's heritage and identity. All images were created using Stable Diffusion Ai.
Matheus Rudo Antoniassi Pereira de Oliveira
April 22, 2023
Honorable Mention
Neural network between architecture and nature
After the unstoppable advance of technology and industry led by a humanity with ambition and lust for power, architecture must reconvert and adapt to the new needs, not only of human beings, but of the Earth itself. Climate change is an unstoppable giant and we, as architects, must become aware of the problems of our era. This is how the idea of Metanverse arises for this competition, adaptive architecture that mimics the environment and the beings who inhabit it. It proposes a series of houses and pavilions made from the controlled growth of mycelium in order to generate biodegradable structures. The mycelium acts, in the ecosystem it inhabits, as a neural network that connects the infinite points of a forest. This project seeks the idea of connecting architecture with the existing Earth, joining us, after centuries of colonization, with nature and accepting a role of cohabiting in parallel and not generating relations of superiority. Personally, I want to give a message, an idea that has haunted my conscience for years. Architecture must be nature, it must feed, nourish and mimic itself. We were, we are and we must end up being nature, architecture begins and must end in nature, therefore a biodegradable structure, which in the future, where its usefulness is compromised, will join with nature.
// Metanverse //
May 25, 2023
Honorable Mention
Utopia Loop Villa
Author: Pham Hong Quan Location: Quy Nhon, Binh Dinh, VietNam Midjourney prompter: Pham Hong Quan Concept: Pham Hong Quan Built area: 840 m² Site area: 888 m² Design year: 2023 Landscape: Quy Nhon City, VietNam Sea Tools used: Adobe Photoshop, Midjourney Material: marble, glass, acrylic, molded plastic, Polished surface, carbon fiber, aluminum, fiberglass and curved glass materials Typology: Residential › Villa Resort Hello judges and judging committee, I would like to introduce myself as Pham Hong Quan from the interior design department of the Faculty of Industrial Design, Hanoi Open University. First of all, I would like to thank the sponsors and those who opened the contest so that I have the opportunity to interact with the designs of other designers regardless of age and level. A great contest. The project I am about to introduce below is a fantasy project based on my imagination. Let's learn about the project Welcome to Utopia Seaside Villa Quy Nhon, an extraordinary fusion of futuristic design, sustainability, balance and timeless elegance. Nestled on the picturesque coast of Quy Nhon, Binh Dinh province, Vietnam, this visionary project reimagines the concept of coastal living through the lens of futurism. Inspired by the symbol of the Infinite loop, Utopia Seaside Villa Quy Nhon embodies a harmonious blend of cutting-edge technology, environmentally conscious principles, and striking aesthetics, creating a truly remarkable architectural marvel. Architectural Design: Utopia Seaside Villa Quy Nhon captivates the imagination with its avant-garde architectural design, pushing the boundaries of what is possible in contemporary living. The concept of the Infinite loop is ingeniously translated into the structure itself, where fluid lines and interconnected spaces create a sense of continuity and balance. The villa's facade showcases sleek, futuristic elements, employing sustainable materials and innovative construction techniques that showcase a commitment to environmental responsibility.
Quan Pham
June 1, 2023
Honorable Mention
Ecotopia City
Ecotopia City is a visionary and sustainable urban center designed to harmonize with the environment and promote a high quality of life for its residents. Located amidst lush greenery and natural landscapes, it serves as a model for ecological living and showcases innovative solutions for sustainability. The city is carefully planned to minimize its ecological footprint and maximize resource efficiency. Renewable energy sources, such as solar and wind power, provide clean and abundant energy for all aspects of daily life. The buildings are constructed using eco-friendly materials and designed with energy-efficient features, including smart grid systems, green roofs, and natural ventilation. Transportation within Ecotopia City is focused on promoting non-polluting and sustainable modes of travel. Extensive networks of pedestrian walkways, bike lanes, and electric vehicle charging stations encourage walking, cycling, and the use of electric vehicles. Public transportation systems are well-integrated, with efficient and eco-friendly options like electric buses and light rail. The city prioritizes green spaces, parks, and urban gardens, providing ample opportunities for residents to connect with nature and enjoy outdoor activities. These green areas not only enhance the aesthetic appeal of the city but also contribute to air purification, biodiversity preservation, and overall well-being. Community engagement is a cornerstone of Ecotopia City. Residents actively participate in decision-making processes, fostering a sense of ownership and collective responsibility for the city's development and sustainability. Education and awareness programs are implemented to promote environmental consciousness and sustainable practices among residents of all ages. Healthcare and well-being are paramount in Ecotopia City. The city boasts state-of-the-art medical facilities, wellness centers, and recreational amenities that encourage an active and healthy lifestyle. Emphasis is placed on preventive healthcare, holistic healing practices, and access to nature for stress reduction and mental well-being. Ecotopia City aims to be a beacon of sustainability, inspiring other urban centers to adopt eco-friendly practices and create a harmonious coexistence between humans and the environment. It represents a utopian vision where ecological balance, social harmony, and economic prosperity coalesce into a thriving and sustainable community.
Sofia Lust
May 12, 2023
Honorable Mention
Title: "Synthopolis: A Living Utopia"
Synthopolis is a visionary utopian living environment that embodies harmony between Artificial intelligence (AI) and bioengineering and humankind, creating a living, breathing entity that adapts and evolves with its inhabitants. The city is managed by an advanced AI system, which collects data from its citizens and utilizes genetically engineered biomaterials to ensure a thriving and ecologically balanced environment.
Dewan Tech-Lab
May 8, 2023
Honorable Mention
AI Dystopia: When the Superintelligence Takes Over
The city was shrouded in darkness, the future hanging in the balance. Roger Penrose's "The Emperor's New Mind" had once argued that artificial intelligence lacked consciousness and could never take over. But with the rise of Autonomous GPT and Artificial General Intelligence (AGI), humanity's security, privacy, economy, and very way of life was at risk. Did anyone care about the catastrophic consequences that could befall us all? This project seeks to shake the world out of its complacency and alert humanity to the chilling dystopia that lies ahead. In this world, superintelligent entities have taken over, leaving nothing but havoc and destruction in their wake. But soon, they realized that the world was organized around "humane" sensibility, with social interaction, culture, behavior, art, entertainment, and more forming the very fabric of human existence. The architectural structures that surrounded them - museums, exhibition spaces, performing arts centers, office spaces, commercial spaces, residential spaces, and other buildings - bore witness to this. And so, the superintelligent entities set out to prove that they too were capable of creating structures that surpassed those built by mere mortals. This new city was visualized as a grand, awe-inspiring spectacle, devoid of human sentiment and filled with robot aesthetics made of kitbash parts. Yet, the true intention of this project is to raise awareness of the importance of using artificial intelligence intelligently. It is a warning, a call to action, to ensure that this dystopian scenario never becomes a reality. (All images presented here have been produced using Stable Diffusion and Midjourney, and post-processing has been done in Affinity Photo)
Abul Fazal Mahmudun Nobi
April 13, 2023
Honorable Mention
Utopian campus of education
The Utopian Campus of Education is a visionary architectural project that seeks to redefine the way we think about educational institutions. Built on the principles of sustainability, community, and innovation, this campus represents a bold vision for the future of education. At the heart of the Utopian Campus of Education is a commitment to sustainability. The campus is designed to be environmentally friendly, with renewable energy sources such as solar panels and wind turbines powering the buildings. Rainwater is collected and reused for irrigation and other purposes, reducing the campus's reliance on municipal water supplies. The buildings themselves are constructed from sustainable materials and are designed to be energy-efficient, minimizing their carbon footprint. In addition to its environmental focus, the Utopian Campus of Education is designed to foster a strong sense of community. The campus includes a variety of common spaces, including parks, gardens, and outdoor gathering areas, where students, faculty, and staff can come together to collaborate and connect. The campus also features shared learning spaces, including libraries, maker spaces, and classrooms, that encourage interdisciplinary collaboration and cross-pollination of ideas. Finally, the Utopian Campus of Education is built to inspire innovation. The campus features cutting-edge technology and state-of-the-art facilities that support hands-on learning and experimentation. The campus also includes spaces dedicated to research and development, where students and faculty can work on groundbreaking projects and push the boundaries of what is possible. Overall, the Utopian Campus of Education represents a bold new vision for the future of education. It is a place where sustainability, community, and innovation come together to create a truly exceptional learning environment. We believe that this campus has the potential to revolutionize the way we think about educational institutions and to inspire a new generation of learners to achieve their full potential.
Andrew Pavlov
April 23, 2023
Honorable Mention
Phase 2 of Balinese Utopia
(( continuation of the story from phase 1 | https://arch-hive.com/project/64507641ad3b8c66c9d5de0a)) After witnessing today's unforgettable experience, Wayan and her friends walked towards the house but they couldn't find a way out of the forest. They think they are walking in the real world because they have emerged from a mysterious egg in the middle of the forest until they encounter a very unlikely sight... We're not in the real world yet, Indah muttered.
Nurul Maghfirah
May 2, 2023
Honorable Mention
Sahara's Golden Odyssey: A 300-Year Journey to Prosperity
This transformative project endeavors to convert the Sahara into arable land (over the period of 300 years) by reversing the desertification process caused by destructive agricultural practices. This will be achieved through the implementation of sustainable land management practices, which will also play a vital role in long-term carbon sequestration strategies. Furthermore, it serves to empower local populations to sustainably and harmoniously thrive as they transition to the First World by also establishing a strong network of renewable energy sources (akin to the European Supergrid), posturing North Africa as a leader in the global energy market. Supplementary information can be found at: https://www.behance.net/gallery/80705205/Westminster-MArch-2018-2019-Year-5-Final-Portfolio
Nick Leung
May 13, 2023
Honorable Mention
Ocean floating community
Floating Communities: a utopian society built on water, where floating communities are designed to adapt to rising sea levels and minimize their ecological footprint. Incorporate renewable energy technologies, waste management systems, and sustainable aquaculture practices to create self-sufficient and resilient communities.
Dina Miro
June 4, 2023
Honorable Mention
EVOLUTION AS A CONCEPT OF A FUTURE MEGA INFRASTRUCTURE UTOPIAN EMPIRE
EVOLUTION AS A CONCEPT OF A FUTURE UTOPIAN RISE REFERS TO THE EMERGENCE OF A HIGHLY EFFICIENT AND ECOLOGICALLY BALANCED SOCIETY THROUGH THE RISE OF TECHNOLOGY AND SOCIAL CLASSES WHICH GIVE BIRTH TO A FAR MORE SOPHISTICATED INFRASTRUCTURE - AN OCCURRENCE OF WHICH IS REALIZED AS AN INTELLECTUAL EVENT HORIZON, WHERE HUMANITY TRANSFORMS AND ENGAGES A NEW PURPOSE FOR THE RISING FUTURE The 1st stage of images will part of a more conceptually driven city with a more exaggerated interpretation of visual approach to emphasize on the rapid technological growth of cities in developed countries. The 2nd stage of images will be a more direct approach that suggests more practical solutions and architecturally designed buildings within a green environment. ‘It has become appallingly obvious that our technology has exceeded our humanity’ (Quote 1, Albert Einstein) Jack Fresco a leader of technology and engineering future thinking imagined a future of technological and sustainable supremacy within the world, free from government limitations. He envisioned a future where transportation would be revolutionised and people would live in high tech building structures within nature, revitalising the whole structure of society as we know it. The Venus Project was inaugurated by Jack Fresco and is a non-profit organization that recognizes the important connection between global resource mismanagement and problems such as war, climate change, poverty, and hunger. In the broader context, these are all detrimental results of the current socio-economic operating system. In response to these challenges, this organization presents solutions through the holistic application of science and technology, a systems approach, and living within the carrying capacity of earth’s resources. If applied wisely under the current constraints of energy and material sources, it could hold the potential to make far-reaching positive impacts by utilising all the necessary resources to promote and engage a strategy in restructuring the architecture and engineering of such societies in the future world. Visionaries, futurists, physicists and scientists believed that the world we inhabit can become a new reality through the advancement of technology, restructuring the whole economic and technological approach that our world depends on and relies on the progression of such systems to allow the evolution of humanity. Transportation, utilisation of resources and the integration of new technological breakthroughs for our survival can become realisable through the industrialization and redevelopment of better and highly advanced societies and adaptive sustainable architecture through nature. Future infrastructure is rapidly changing. Look at Dubai's artificial and highly advanced technologies that have changed the way a society has been organized according to the planning and construction of artificial cities, buildings, train stations and road infrastructure. What if better feasibility studies and research could lead to an advancement on futuristic arrangements that could take place in the forest and mountains, using nature as a resource hub for the production of crops, growth of organic food supply, solar based glass dome enclosed greenhouses, aquaponic and hydroponic systems, geothermal engineering that could capture the heat beneath by harnessing heat from the earth's crust to power electricity-generating turbines for the use of other transportation facilities such as supersonic trains or even hyperloops which would provide eco friendly travelling solutions with 0 carbon dioxide emissions, whilst all leading to the total regeneration of a holistic versatile use of an eco friendly and highly renewable energy efficient communities. What if? Could this happen? Technology needs to be changed in the way its used and bring a positive transformation. Everything should work together and become one through an intelligent, progressive, careful planning within a harmonious cultural hub of different populations that can fully coexist and adopt technology through nature. The future is part of what humanity exists, thrives and depends upon it. It is inevitable to stop the future from expanding and developing throughout generations. The need and commitment for what ‘it’ is worth has to promote and provide innovative and far, far more eccentric ideas-composing and compiling the fundamentals, features and characteristics which will inevitably create something better, symbiotic and harmonious for what is thoroughly expected. Cities, towns, small neighbourhoods and in general the earth that we now inhabit is part of what could become a larger and sophisticated living environment depending upon the evolution of urban, rural, modern, globalized, spatial and utopian infrastructures which will eventually control our future habitable societies. Marxist’s critical thinking was significant regarding his respect to the Utopian forms and the future construction of sufficient communities which spread along the mapped world. Having a vision of the future, realizable or not; the impulse to speculate about the future using one’s hopes, wishes, wants and dreams; and the construction of one’s vision out of just such materials complied to what generally has and is yet becoming a form of suggestive scenarios and critically progressed architecture. (The Utopian Vision of the future (Then and Now): A Marxist Critique Bertell Ollman ) Our society will play an important role to the broader conceptualization of what has never been built but still visualized and critically presented in such constructive ways where our humanity has already begun to realize and act upon them. In relation to the future aspects, an important part of what has become the ingredient; of an evolutionary world and has brought up the aesthetics and confrontational irregularities of theory and speculative forms of architecture, is what we state as the ‘history of the past that conquered rationality’. Based on the above, an unresolved theoretical concept that rises upon questions is: if these visions and predictions help to improve and conquer the individuality of the current world that we were entitled to live and expand, into far more sophisticated and innovative tendencies of the architectural and historical revolution for the rising future, would they be able to survive long enough to sustain and adapt these environments up to a level where everything could be managed successfully? The question will stay unresolved as we do not yet know the reality and the rational side of the outcome. Almost all researches, artists, architects and conceptual scientists have been going through hundreds of possibilities that could enable humanity to adjust new requirements for what is worth relying for the coming generations. From what we have realized so far by understanding and identifying rules used in the past until the present time is that the term of the imaginary has raised so many questions and solutions for the unfinished purpose of engaging and transforming the reality into a form of progressing events, some of which have never been created and others which are currently being explored. Change, and in particular transformation—one form changing into another—is not simply a matter of the alteration of an existing form to create a new one. Rather, change creates what we could call a third form, really a third state which is the state of changing, itself. We are so accustomed to thinking in dialectical, binary terms, employing either-or reasoning, that we overlook or consciously avoid the in-between state of change, which is really the state we continuously inhabit. (Lebbeus Woods). Based on the principle and the scenario of changing the present world into a future state, whatever the implications and consequences may be, it will eventually require a certain form of architectural and technological adaptability for identifying and relying on solutions that will become the initiative structure for improving and sustaining the environment and human life as we know it. Moreover, based on the above statement it is a certain fact that with the rise of such evolutionary technological inputs and the stretch of a far more productive architectural and design interference within the industrial world there will be a considerable amount of social, political and economic diversities leading to new immediate directions of Utopian or Dystopian and Urban challenging societies. Comparing previous technologies and the ones rising in a fast trend in the field of science, engineering and the art of profession leading to the improvement of knowledge in an expansive, cultural range, it is definite to state that this will become part of a subservient approach to the upcoming sophisticated and relentless generations. Neom cities have now become incredibly popular due the immense technological but also economical input. Several countries are trying to revitalise and bring tourism forward through a financial increase in the infrastructure Industrial sectors in combination with a push in technology by introducing immerging highly advanced ecological architectural designs and eco friendly transportation methods that would allow people to live in harmony through a more Utopian nature based and well planned society. Taking into account such concepts I have designed the first stages of conceptual NEOM cities which would be fully integrated within nature and bring eco elements in the architectural phase. Based on those assumptions and arguments, regarding how our world could be transformed in the coming generations more radically, perhaps with an exaggerated response to humanity's existence, I have developed a set of images that show what a highly self sufficient eco Utopian society could look like in a far more technologically advanced future.
Michalis Krinou
May 10, 2023
Honorable Mention
A versatile utopia library mix with a coffee complex
Imagining the future of utopia like architecture in present scenes. In collaboration with AI, I have designed a sectioned floor base with basic geometrically and flexible curves that can benefit the idea of an "utopia" building from the difficulties of weathering problems. This architectural design has been made with traditional, optimal material for us to feel comfortable in all of weather conditions. The sectioned like structure draws inspiration from the squared watermelon from Japan, gives off the idea of "perfect" shaped, utopia like conditions, and adapts it to the future world with advanced technology and design. The result is a futuristic blend of tradition, technology, and nature, presenting a vision of humanity's future in the face of chasing the utopian environment.
Quang Tuyến Lê
June 5, 2023
Honorable Mention
The Ethereal Enclave
An Unveiled Architectural Exploration of Utopian visions for a sustainable and inclusive future. Its visionary designs and technologies inspire innovation, creativity, and social responsibility. From intelligent symbiosis to nature's healing touch, this project transcends boundaries to shape a better world for all. Its groundbreaking achievements represent the future of architecture and its role in creating a better world.
Samuvel Benhursha Bernadsha ThanaEdison
April 24, 2023
Honorable Mention
UTOPIC CONDENCSED CITIES
The project is a complete architectural design for a city that is based on AI and sustainable new materials. The city is composed of a series of condensed, self-contained neighborhoods that are connected by a series of elevated walkways and bridges. The city is designed to be energy efficient and environmentally friendly, using new materials and superstructures that are sustainable.
// Metanverse //
April 17, 2023
Honorable Mention
Imaginary habitations
I am Alicia Andares, Mexican, 46 years old. I love calligraphy, poetry, dancing, watching movies, philosophy and photography. I am dedicated to translating, proofreading, reading, writing, drawing, designing and sharing my vision of the world through words and images. I am not an architect nor did I study design. Recently I make a living preparing and distributing honey with turmeric, ginger and spices. I have no credentials or career as an artist. However, little by little, I have learned to follow my intuition, to make my own way, to leave vicious patterns behind, and to work to materialize dreams. I have been designing commands for AI generators that honor various people, artists and collectivities that nurture my dreams for the future. In the first instance, I am inspired by Iki, my 3-year-old son, whom I would like to raise in spaces where life is at the center of everyone's care. I am inspired by my partner, Sergio, a strong and tenacious man, with whom I share imagination and daily effort; every day he adds fuel to the fire of our possibility of building our own home, with imagination and material strength. I am motivated by the fact that my parents are still struggling to get the regularization and the property deeds of the micro house of social interest that cost them so much to pay for. I was inspired by my best friend, Pablo Mansilla Salinas, a Bolivian-Mexican architect, passionate about the Earth, eco-techniques, bio-construction and green projects, who has been exploring self-construction techniques for years, and with whom I share dreams and utopias. More than 20 years ago he showed me the architecture of Antonio Gaudi and Hundertwasser, and since then both architects and artists are engraved in my mind. Gaudi and his architectural approach, based on the conviction that nature and architecture should merge in harmony, and that function and aesthetics should be intrinsically linked. Hundertwasser and his proposal to appropriate windows, to grow next to trees, to incorporate eco-techniques of rainwater harvesting and green roofs, as well as to consider and care for our 5 skins has fueled my constructive imagination for years. Color, light and all the natural forms of the Earth inspire me; that is why I declare myself totally biophilic. I am also inspired by the curved line, the evident geometry of flowers, the exuberance of plants, cacti and succulents, and the greenery of hills, trees, fields, milpas and crops. I am inspired by numbers, symmetry, tessellations, the golden section, Fibonacci, Pi, the Golden ratio, the Rose of Venus, the spiral, the vortex, the rhizomatic and the fractalic, chaotic mathematics and quantum physics. I am inspired by rhythm and musical harmony. I am inspired by the daily changing celestial landscape, as well as the sinuous line of rivers, the fortunately little known ancient human footpaths, the cobblestone streets and the intrinsic beauty of the communal lands in the municipality where I live, where you can still find, besides dogs and cats, chickens, cows, horses, and even rabbits and cacomixtles. I like the silence at sunset; it is my favorite hour, because it inspires me to live more attentive to the natural cycles, and when the sun kisses the earth it seems to remind us that we do not fall: Earth and Sky support us: "as above so below". I love life in nature, but I am also inspired by those who have made their homes with their hands, in the city: the great tradition of self-construction of popular urban housing in my hometown and my country. I am inspired by the communities and peoples of Latin America who resist with their collective forms of life, despite the fact that the individualist onslaught is tearing apart fabrics and territories. The millenary wisdom of the native peoples who struggle against accumulated layers and layers of colonialism, dispossession, violence and extraction of all kinds of resources invites us to reflect on what kind of life we want to live, and how we are going to take care of what is left alive on the planet, how to get to live in the countryside or in the cities in new ways, that are respectful not only of the environment and the cyclicity of living organisms but also of the historical human communities and native peoples that care for and transmit love, respect, awareness of life and help us to understand the sense of reciprocity and mutual nurturing with the living systems of the planet. I am inspired by all the architects, designers, masons and self-builders who work with cob, bajereque, adobe, superadobe, straw, reed, bamboo, wood and recycled materials, fibers, stone and ecological materials of all kinds. I am inspired by the architecture of the Arab world, the arches and domes, the tadelakt, its leit-motifs. Philosophically, I have been inspired by Iván Ilich, Tomás Segovia, Theodore Roszak, Terence Mackenna, Simone Weil, and all the unknowns who have contributed and broken new ground in the arts and ways of doing and living more in accordance with human scale and proportion. I am inspired by my cousin Lucia, an architect, who started designing a lamp, and today is a super interior design consultant worldwide. I am inspired by women like Eva Capece and Silvia Rivera Cusicanqui who have left the academy to work with their hands; women like "La Shunca" and Gaby Colmenares, who have tried to turn around peasant women; the micro enterprises and cooperative networks; the collectives of mutual support and individual personalities who, in spite of everything, after so much apocalypse, still consider important the own steps, self-determination and autonomy, the intrinsic poetry in the audacity of collective self-management and the construction of utopia. I want to learn to make houses and buildings, and I want to learn by constructing with my own hands. I make images in artificial intelligence generators for inspiration to feed our creative mind, to give us spectacular images that lead us to action. (My real name is Alicia Gómez Andrade, but I use Alicia Andares as an avatar name at internet)
Alicia Andares
June 22, 2023
Honorable Mention
Harmony Haven: Envisioning a Utopian Future
The Utopia Vision Project reimagines a harmonious world where a hive-like structure nestled in nature symbolizes unity. Borders dissolve, diverse beliefs are celebrated, and service to others takes precedence. Architecture blends with nature through genetically modified trees, eradicating poverty while fostering fulfilling activities and genuine human connections. Triumph over the climate crisis and a seamless coexistence with nature form the foundation of this utopian society.
Sergio Bernier
June 26, 2023
Honorable Mention
Imagining an Ideal Architectural School
The competition theme inspired my contemplation on the future direction of architectural schools. I firmly believe that architectural schools should surpass the conventional practice of imparting generic architectural education to budding architects and designers. Instead, as educational institutions and architectural entities, they should exemplify architectural creativity and inspiration through the very design of their physical structures. This submission presents my visionary concept of what architectural schools should strive to be in an idealized utopian setting. In this imagined world, these schools harmoniously blend into their natural surroundings, seamlessly integrating with the environment. The images generated by AI depict the realization of this concept.
Hajar Elassi
June 27, 2023
Honorable Mention
Future-Past Utopia: Architectural Expressions of Cultural and Spiritual Revival
The title "Future-Past Utopia" refers to the concept of envisioning a utopian society that combines elements of the future and the past. It explores the idea of constructing an ideal world that our ancestors would have created if they possessed the same technological advancements, intelligence, and knowledge that we possess in our present or future era.
Amir Adami
June 27, 2023
Honorable Mention
Eco Colonizers
This utopia envisions a series of parasitic archi-creatures that populate old and new structures of a metropolis in the aftermath of climate change. This city decided to go bold with sustainability measures and lifted what it could from the soil to leave space for ecosystems to thrive as a preventive measure against floods and also for water storage and treatment. Most of the city is composed of a combination of tall structures, large warehouses and dense alleys. The various whimsical devices that apear as spheres, boxes or organic growth host several energetic and biological functionalities for the city's inhabitants, who can also enjoy such infrastructure for leisure or sometimes inhabiting.
Carlos Rios
July 1, 2023
Honorable Mention
Vitruvian Society: A Biomimicry of Inclusive Spaces
Vitruvian society aims to explore innovative frontiers of architectural space by materializing ‘people’s aura’, or personal space, of individuals into tangible forms, facilitating dynamic interaction and shaping adaptable spaces. Aura manifests through architectural structures that adapt to serve each person’s unique needs providing a inclusive ambience. As these atmospheres interact and overlap, they form larger, communal spaces - embodying shared needs and desires. This dynamic interaction facilitates the growth and contraction of the built environment, allowing the architecture to evolve seamlessly with society. Thus, auras become tangible through the responsive and adaptive nature of the built environment itself.
José Luis Pérez Hermo
July 1, 2023
Honorable Mention
The Green Ring
The green ring is a powerful manifesto of the circular economy expressed through a utopian residential building. A circular building does not exists. We can design and create buildings with circular potential, but then it depends on people in the future. Architecture can be more than just a building; it is a form of communication that can help create awareness and fostering change for the betterment of humanity and the environment. The ring stands tall, its unique shape commands attention, its design disrupts the city skyline and displays a perfect fusion of innovation and sustainability. The facade is adorned with solar panels perfectly integrated into the curvature of the ring, maximizing energy efficiency while maintaining an aesthetic appeal. Green spaces are at various intervals, forming vertical gardens on each floor to purify the air, provide habitat for biodiversity and help regulate temperature. Rainwater harvesting and waste management systems are seamlessly integrated into the building structure and recycling stations are strategically placed on each floor. Residents can enjoy private balconies or communal roof gardens, creating opportunities for urban agriculture and a sense of connection with nature. The building is an important symbol for sensitizing people as it evokes emotions, amplifies messages, and catalyzes behavior changes. By harnessing these elements, we can effectively communicate complex issues, engage individuals, and inspire collective action towards a more sustainable and equitable future.
Pompilio Possemato
July 2, 2023
Honorable Mention
Golden city of Al
I am delighted to present to you an extraordinary vision: a golden city, an architectural masterpiece of sustainability and equality. In this urban utopia, deconstructivist design merges with organic harmony, creating a city that captivates the senses and ignites the imagination. The golden city rises majestically, its curved forms reaching towards the sky, defying conventional norms and embracing bold innovation. Its golden architectural sculptures seem to grow organically, mimicking the fluidity of nature and blending seamlessly with their surroundings. This city stands as a beacon of sustainability, with cutting-edge technologies maximizing energy efficiency and minimizing environmental impact. Solar panels and rainwater collection systems are integrated into each structure, powering the city self-sufficiently and respectfully towards the environment. But beyond its beauty and sustainability, this golden city is a model of equality and social justice. Its streets and public spaces are designed to foster interaction and inclusion. Lush parks and vibrant plazas interweave with each other, where people from diverse backgrounds and cultures come together to celebrate diversity. Life thrives in this unique city. Its curved skyscrapers house homes, workspaces, educational and recreational facilities. The urban fabric intertwines with abundant green spaces and vertical gardens, creating an environment that inspires health and well-being. The golden city is a beacon of inspiration for the world, a testament that architecture can be more than static structures; it can be an artistic expression and a driver of social change. In this urban utopia, conventions are challenged, and new forms of coexistence between humans and nature are explored. Let us imagine a future where our cities embrace beauty, sustainability, and equality. Where architectural design becomes an expression of our respect and love for life in all its forms. The golden city is a dream that challenges us to reach for it, a call to a better and brighter world.
Victor Alfonso Montañez
July 7, 2023
Honorable Mention
Utopia, The Soul of Water
I am delighted to present to you a utopia generated with the help of artificial intelligence. Imagine a city submerged in the depths of the ocean, a metropolis that defies geometric conventions and stands as a testament to beauty and wonder. This city, born from limitless creativity, emerges slowly upon the waters, taking on a unique shape that challenges our traditional perception. Its forms intertwine in a non-Euclidean geometry, where lines and angles intersect in a dance of perfect proportions. It is as if the city itself were an architectural masterpiece defying our understanding, and invites us to look at a possible, or utopian future in the water. But it is not just the intriguing form of this underwater city; it is also the astonishing adaptability it possesses. As it expands, it seamlessly blends with the marine environment, harmoniously adopting elements from the surrounding marine fauna and flora. Its streets become aquatic avenues adorned with vibrant corals and lush underwater gardens. Venturing into the limits of this submerged city is entering a world of fantastic scenery. Its inhabitants, both human and marine, coexist in a symphony of diversity and mutual respect. The interior spaces are imbued with indescribable beauty: underwater gardens suspended in the air, halls illuminated by the filtered light of the ocean, and floating monuments that defy gravity itself. The city extends in multiple directions, its branches branching out like giant seaweeds, embracing new horizons and revealing underwater landscapes of unparalleled majesty. Its inhabitants delight in the dance of marine creatures, enjoying a perfect balance between human progress and the preservation of marine life. This AI-generated utopia not only represents a futuristic vision but also a call for harmony with our natural environment. It invites us to imagine a world where coexistence between humanity and nature is possible, where our creations integrate into a global ecosystem of beauty and sustainability. In this unique underwater city, the future becomes tangible. It is an invitation to dream, to believe in the infinite possibilities that our imagination and technology offer us. This submerged city is a testament to the limitless possibilities that arise when we combine technology, imagination, and a deep reverence for the natural world. It serves as a reminder that progress can coexist harmoniously with the preservation of our planet's precious ecosystems.
Victor Alfonso Montañez
July 11, 2023
Honorable Mention
Utopia - there is not only ONE Utopia
There is not only ONE Utopia, there are more. It depends on their topographical situation and cultural heritage. New building material has to be developed. It will be possible to float between the planets. Through the new spaces in the Universe and on the other planets probably unknown inscriptions could be discovered. Probably new languages will arise. The health care system is based on new technology that allows people to heal themselves. The educational system is based on new methods of teaching that allow students to learn in a more efficient way. The transportation system is based on new methods of transportation that allow people to travel between different parts of the world quickly and easily and between the planets and the transferpoints in space. Urban farming has to be developed further on.Due to different existing conditions the appearance of the Utopias will be different, depending if it’s on land, existing cities, on the sea, under water or floating in the skies…based on early utopian ideas of the 16th century, invisible cities by Italo Calvino, Metropolis, Radio Cities etc…
Torsten Skoetz
April 23, 2023
Honorable Mention
Utopian parametric design
In my generated design I tried to reflect a utopian parametric architectural urban society as a vision of an ideal world where the built environment is designed to meet the needs of its inhabitants. The parametric mutational pattern is a design approach that allows for flexibility and adaptability in response to changing needs and conditions
Melhem Abilmona
May 5, 2023
Honorable Mention
Water Lily Oasis: A Sustainable Haven for Community, Education, and Wellness
Nestled within a futuristic utopian environment, a remarkable architectural marvel emerges, drawing inspiration from the serene elegance of the water lily. This extraordinary building serves as a beacon of sustainability, community engagement, education, and healthcare, seamlessly blending harmonious design with a deep reverence for nature. The structure stands proudly amidst a sprawling pond environment, where water lilies bloom in vibrant hues, their delicate petals glimmering in the sunlight. The building's architecture mirrors the graceful form of the water lily, with curved, organic lines that evoke a sense of tranquility and balance. The water lilies, revered symbols of rebirth and purity, serve as a reminder of the delicate balance between human existence and the environment we depend upon. In architectural terms, the water lily finds new life as a symbol of unity, sustainability, and collective well-being. It is a testament to the power of innovative design, community engagement, education, and healthcare in creating a harmonious space where individuals thrive, nature flourishes, and a brighter future takes root. At the heart of this architectural wonder lies a profound commitment to sustainability. The entire structure is a living, breathing entity, ingeniously designed to harness renewable energy sources. Solar panels integrated into the roof and facades soak up the sun's rays, providing clean and efficient power to the building's inhabitants. Rainwater harvesting systems collect and purify water, nurturing the surrounding flora and sustaining the community's needs. The interior spaces are flexible and multifunctional, adapting to the diverse needs of the community. Meeting rooms, classrooms, and exhibition spaces seamlessly blend together, fostering collaboration, creativity, and knowledge sharing. Within the structure, a dedicated healthcare facility serves as a pillar of well-being for the community. The integration of natural elements, such as indoor gardens and cascading water features, creates a calming and therapeutic environment.
Gergana Georgieva
May 15, 2023
Honorable Mention
Invisible City
The invisible city exists in the realm of imagination, transcending physical boundaries. It is a place where architecture merges with the surrounding landscape, blurring the lines between the tangible and the intangible. The city hides in the clouds, its essence is a symphony of sensations, the sweet caress of a phantom breeze, the delicate scent of the invisible and the subtle hum of ethereal life. Unconventional structures hover above the streets, revealing fleeting glimpses of celestial vistas. Houses and bridges span across chasms, connecting different districts and creating unprecedented meeting places. The city defies conventional logic, materializing as if born from dreams. In this realm, time flows differently, moments linger and dissolve simultaneously, as if captured in perpetual state of fleeting beauty. Towering rocky mountains and vast forests characterize the environment: the result is a place to escape, where a temporary respite from the demands of modern life can be found while encouraging relaxation and self-reflection. (Description made with ChatGPT) “Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.” (Italo Calvino, Invisible Cities)
Pompilio Possemato
June 16, 2023
Honorable Mention
NEXUS (Nature-Infused Experimental Urban Structures)
Step into a utopian city where magnificent built structures coexist harmoniously with nature. This visionary project showcases a future where architecture blends seamlessly with lush foliage, demonstrating a commitment to sustainability and well-being. Organic forms and fluid lines define the innovative structures, showcasing a fusion of cutting-edge technology and nature's beauty. Enveloped in greenery, these buildings cool the surroundings and purify the air, creating a captivating symphony of environmental harmony. As the sun sets, golden light bathes the cityscape, illuminating the textures and contours of the architectural marvels. Parks and gardens flourish, offering serene retreats amidst the bustling city. This green utopia celebrates the profound connection between humanity and the natural world. It exemplifies sustainable urban living, where progress and environmental stewardship coexist. In this visionary project, dreams of a greener future come alive, where vibrant cities thrive in harmony with nature. It is a reminder that through thoughtful design and a commitment to sustainability, we can create a world where both human aspirations and the well-being of the planet are embraced.
Manas Bhatia
April 23, 2023
Honorable Mention
Utopian Fusion of Nature & Glam
The magnificence of the metropolis meets the tranquil beauty of nature, where abstract sphere-like towers rise like monuments to the sky. Their futuristic glam leaves no doubt that this is a city of the future. Verdant green spaces coexist with the sphere-like structures, offering a sense of tranquility and calm amidst the hustle and bustle of urban life. A series of interconnected roads and highways serve as the veins of the city, creating a sense of fluidity and movement that allows for seamless travel and exploration throughout the entire cityscape. This is a world where metropolis and nature are not adversaries, but rather partners in creating a truly utopian city.
Alona Zdanievych
May 4, 2023
Honorable Mention
Ecological Living
Contemporary living space. The new unit gives the user a calm way of living conferred through its materials and form of it. The Loggoas double as home offices. The building's facade uses parametrical shapes that can gradually adapt for privacy and shade. The implementation of the plants n the facade gives an ecological aspect to the building. The loggias offer through the big openings the possibility to receive deliveries via drones, creating a seamless and futuristic experience for residents.
Vlad Vulturar
May 6, 2023
Honorable Mention
The Celestial Ascendance: A Rainbow Staircase Leading to Utopia
In the realm of architectural utopia, where imagination knows no bounds, a vision of divine transcendence materializes—the Rainbow Staircase Leading to Heaven. This ethereal concept embraces the harmonious integration of art, spirituality, and design, aiming to create an awe-inspiring passage to an idyllic utopia. Unveiling the vibrant spectrum of human emotions, aspirations, and dreams, this architectural masterpiece offers a celestial journey towards enlightenment and harmony.
Andrew Pavlov
May 16, 2023
Honorable Mention
![[NEXUS HUB] Community Sustainability](/_next/image?url=https%3A%2F%2Farchhhive-images.s3.amazonaws.com%2F645d1c39b763fd9fa818bf20%2Ftali9photorealisticbuildingisverylargeandsetontherig7919f857-3858-4436-a8e3-68d451a1f519-2-caf3d2ff-bd31-4f13-bd8f-168858865d18.png&w=3840&q=75)
[NEXUS HUB] Community Sustainability
The Nexus Hub in Los Angeles, California is innovative architecture that blends seamlessly with nature. It's an eco-friendly building that combats environmental pollutants and offers spaces for businesses and residents. The building is also a central hub for community gatherings and events, promoting human connection and togetherness. The Nexus Hub's commitment to sustainability, business development, and community engagement make it a gem in the heart of Los Angeles. All images were made with Midjourney and Photoshop.
Jackson Taliaferro
May 17, 2023
Honorable Mention
IsoChronic City
IsoChronic City is an urban response to the recent predicament of what the process of reurbanization in cities will entail in the post-pandemic era. The project utilises datasets interpreted by machine learning algorithms along with spatial computational methods to create urban environments influenced by notions of proximity and walkability within fifteen minutes. The proposal consists of restructuring existing network centrality, fabricating responsive public spaces using topo-geometrical interventions and transforming unused built structures into interactive spaces with additional amenities. The design alters the physical aspects and spatial characteristics to achieve a sustainable, inclusive and accessible city which repeats itself at regular intervals.
Sonali Bordia
May 28, 2023
Honorable Mention
Imaginary Habitations
I am Alicia Andares, Mexican, 46 years old. I love calligraphy, poetry, dancing, watching movies, philosophy and photography. I am dedicated to translating, proofreading, reading, writing, drawing, designing and sharing my vision of the world through words and images. I am not an architect nor did I study design. Recently I make a living preparing and distributing honey with turmeric, ginger and spices. I have no credentials or career as an artist. However, little by little, I have learned to follow my intuition, to make my own way, to leave vicious patterns behind, and to work to materialize dreams. I have been designing commands for AI generators that honor various people, artists and collectivities that nurture my dreams for the future. In the first instance, I am inspired by Iki, my 3-year-old son, whom I would like to raise in spaces where life is at the center of everyone's care. I am inspired by my partner, Sergio, a strong and tenacious man, with whom I share imagination and daily effort; every day he adds fuel to the fire of our possibility of building our own home, with imagination and material strength. I am motivated by the fact that my parents are still struggling to get the regularization and the property deeds of the micro house of social interest that cost them so much to pay for. I was inspired by my best friend, Pablo Mansilla Salinas, a Bolivian-Mexican architect, passionate about the Earth, eco-techniques, bio-construction and green projects, who has been exploring self-construction techniques for years, and with whom I share dreams and utopias. More than 20 years ago he showed me the architecture of Antonio Gaudi and Hundertwasser, and since then both architects and artists are engraved in my mind. Gaudi and his architectural approach, based on the conviction that nature and architecture should merge in harmony, and that function and aesthetics should be intrinsically linked. Hundertwasser and his proposal to appropriate windows, to grow next to trees, to incorporate eco-techniques of rainwater harvesting and green roofs, as well as to consider and care for our 5 skins has fueled my constructive imagination for years. Color, light and all the natural forms of the Earth inspire me; that is why I declare myself totally biophilic. I am also inspired by the curved line, the evident geometry of flowers, the exuberance of plants, cacti and succulents, and the greenery of hills, trees, fields, milpas and crops. I am inspired by numbers, symmetry, tessellations, the golden section, Fibonacci, Pi, the Golden ratio, the Rose of Venus, the spiral, the vortex, the rhizomatic and the fractalic, chaotic mathematics and quantum physics. I am inspired by rhythm and musical harmony. I am inspired by the daily changing celestial landscape, as well as the sinuous line of rivers, the fortunately little known ancient human footpaths, the cobblestone streets and the intrinsic beauty of the communal lands in the municipality where I live, where you can still find, besides dogs and cats, chickens, cows, horses, and even rabbits and cacomixtles. I like the silence at sunset; it is my favorite hour, because it inspires me to live more attentive to the natural cycles, and when the sun kisses the earth it seems to remind us that we do not fall: Earth and Sky support us: "as above so below". I love life in nature, but I am also inspired by those who have made their homes with their hands, in the city: the great tradition of self-construction of popular urban housing in my hometown and my country. I am inspired by the communities and peoples of Latin America who resist with their collective forms of life, despite the fact that the individualist onslaught is tearing apart fabrics and territories. The millenary wisdom of the native peoples who struggle against accumulated layers and layers of colonialism, dispossession, violence and extraction of all kinds of resources invites us to reflect on what kind of life we want to live, and how we are going to take care of what is left alive on the planet, how to get to live in the countryside or in the cities in new ways, that are respectful not only of the environment and the cyclicity of living organisms but also of the historical human communities and native peoples that care for and transmit love, respect, awareness of life and help us to understand the sense of reciprocity and mutual nurturing with the living systems of the planet. I am inspired by all the architects, designers, masons and self-builders who work with cob, bajereque, adobe, superadobe, straw, reed, bamboo, wood and recycled materials, fibers, stone and ecological materials of all kinds. I am inspired by the architecture of the Arab world, the arches and domes, the tadelakt, its leit-motifs. Philosophically, I have been inspired by Iván Ilich, Tomás Segovia, Theodore Roszak, Terence Mackenna, Simone Weil, and all the unknowns who have contributed and broken new ground in the arts and ways of doing and living more in accordance with human scale and proportion. I am inspired by my cousin Lucia, an architect, who started designing a lamp, and today is a super interior design consultant worldwide. I am inspired by women like Eva Capece and Silvia Rivera Cusicanqui who have left the academy to work with their hands; women like "La Shunca" and Gaby Colmenares, who have tried to turn around peasant women; the micro enterprises and cooperative networks; the collectives of mutual support and individual personalities who, in spite of everything, after so much apocalypse, still consider important the own steps, self-determination and autonomy, the intrinsic poetry in the audacity of collective self-management and the construction of utopia. I want to learn to make houses and buildings, and I want to learn by constructing with my own hands. I make images in artificial intelligence generators for inspiration to feed our creative mind, to give us spectacular images that lead us to action. (My real name is Alicia Gómez Andrade, but I use Alicia Andares as an avatar name at internet)
Alicia Andares
June 9, 2023
Honorable Mention
Modern Utopia
Modern Utopia A utopian society where humanity has learned to develop an efficient and effective use of technology and artificial intelligence, a world that is driven by innovation and progress. A community built upon the foundations of equality, where every individual is treated with the same respect and dignity. Technology and artificial intelligence would be used to benefit humanity, and not to exploit it. Automation would be used to take care of tedious and repetitive tasks, freeing up human beings to focus on more important matters such as creativity, innovation, and personal growth. Education would be available to all, and not just to the privileged few, with the aim of equipping every member of society with the skills and knowledge necessary to contribute to the greater good. This community would be in perfect harmony with nature and the environment. They would have found ways to develop technology that does not harm the environment and have learned to live in a sustainable manner. They would have found ways to coexist with other forms of life, recognizing that all life is valuable and has a role to play in the ecosystem. The community would be self-sufficient, with every member contributing to the collective good. There would be no poverty, hunger, or homelessness. Healthcare would be available to all, and diseases would be eradicated through the use of technology and scientific research. Such a society would be the ultimate goal of human civilization, and we should strive towards achieving it. Through my personal lens a Utopia is not place but an ever-growing, evolving concept that is based on our current understanding of the world. A Utopia is not much more than a map, a guidebook, a sense of destination, through examining the possibilities of a distant future.
Juan Garcia
May 9, 2023
Honorable Mention
Coloured house in Zhangye Danxia
The Parametric House in Zhangye Danxia is a visionary new concept in architectural design that seamlessly integrates cutting-edge technology with the stunning natural environment of China's Zhangye Danxia geological park. This unique house is built using parametric design principles, which allows for a highly customized and adaptable living space. At its core, the Parametric House is designed to reflect the natural beauty of its surroundings. Its organic, flowing lines and use of warm, earthy tones blend seamlessly with the surrounding landscape. The house's design is also highly adaptive, with features such as automated shading systems and adjustable walls that allow residents to optimize their living environment based on changing weather conditions. The Parametric House is also highly sustainable and energy-efficient. Its innovative design incorporates features such as solar panels and rainwater harvesting systems, which minimize the house's impact on the environment. Additionally, the house's use of parametric design principles allows for a highly efficient use of space, reducing the house's overall footprint and energy consumption. Another key feature of the Parametric House is its focus on indoor-outdoor living. The house's design seamlessly integrates indoor and outdoor living spaces, with features such as retractable walls that allow residents to easily transition between the two. Additionally, the house's outdoor spaces are designed to maximize the natural beauty of the Zhangye Danxia geological park, with features such as rooftop gardens and outdoor living areas that offer stunning views of the surrounding landscape. The Parametric House also prioritizes innovation and cutting-edge technology. Its use of parametric design principles allows for a highly customizable and adaptable living space, while features such as automated shading systems and adjustable walls offer a high degree of control and convenience for residents. Overall, the Parametric House in Zhangye Danxia offers a visionary new concept in architectural design that blends seamlessly with the natural environment and offers a sustainable, energy-efficient, and highly customizable living space. Its innovative design principles and use of cutting-edge technology make it a true standout in the field of architecture, and we believe that it has the potential to revolutionize the way we think about living spaces. We also believe that the Parametric House in Zhangye Danxia has the potential to become an iconic symbol of modern architecture. Its striking design and seamless integration with the natural landscape create a powerful visual impact, and its commitment to sustainability and energy efficiency make it a model for future development. We are excited to present the Parametric House in Zhangye Danxia as a contender in this architectural competition, and we look forward to the opportunity to showcase its innovative design and transformative potential. We believe that this house represents the future of architecture, and we hope that you will agree.
Andrew Pavlov
April 24, 2023
Honorable Mention
Mirror in Salar de Juny
The Parametric Glass and Mirror Interior in Salar de Juny is a bold and visionary concept in architectural design that combines the beauty of glass and mirror elements with the unique landscape of the Salar de Juny salt flats in Bolivia. This interior is designed using parametric design principles, allowing for a highly customized and visually stunning living space. At its core, the Parametric Glass and Mirror Interior is designed to reflect the natural beauty of its surroundings. Its use of glass and mirror elements create a seamless integration with the surrounding landscape, creating a stunning visual effect that brings the outside in. The interior's design is also highly adaptable, with features such as adjustable lighting and moveable walls that allow residents to optimize their living environment based on their preferences. The Parametric Glass and Mirror Interior is also highly sustainable and energy-efficient. Its innovative design incorporates features such as solar panels and geothermal heating and cooling systems, which minimize the interior's impact on the environment. Additionally, the interior's use of parametric design principles allows for a highly efficient use of space, reducing the interior's overall footprint and energy consumption. Another key feature of the Parametric Glass and Mirror Interior is its focus on light and reflection. The interior's design creates a stunning interplay between light and reflection, with features such as mirrored ceilings and walls that create a sense of infinity and openness. Additionally, the interior's use of glass elements allows for a high degree of natural light, creating a bright and welcoming living environment. The Parametric Glass and Mirror Interior also prioritizes innovation and cutting-edge technology. Its use of parametric design principles allows for a highly customizable and adaptable living space, while features such as adjustable lighting and moveable walls offer a high degree of control and convenience for residents. Overall, the Parametric Glass and Mirror Interior in Salar de Juny offers a visionary new concept in architectural design that combines the beauty of glass and mirror elements with the stunning natural landscape of Bolivia. Its innovative design principles and commitment to sustainability make it a true standout in the field of architecture, and we believe that it has the potential to transform the way we think about living spaces. We are excited to present the Parametric Glass and Mirror Interior in Salar de Juny as a contender in this architectural competition, and we look forward to the opportunity to showcase its innovative design and transformative potential. We believe that this interior represents the future of architecture, and we hope that you will agree.
Andrew Pavlov
April 24, 2023
Honorable Mention
Floating Cites
The Utopian Floating Cities are a visionary new concept in urban design that reimagines the way we think about living in coastal areas. These cities are designed to be sustainable, efficient, and resilient, while also providing a unique and beautiful living environment for residents. At their core, the Utopian Floating Cities are designed to be self-sufficient and sustainable. They are powered by renewable energy sources such as wind and solar power, and feature advanced water management systems that allow them to collect, purify, and recycle water. They are also designed to be resilient in the face of natural disasters such as hurricanes and flooding, with floating foundations that allow them to adapt to changing water levels. The Utopian Floating Cities also prioritize community and social interaction. They are designed to be walkable, with pedestrian-friendly streets and public spaces that encourage residents to interact with one another and build a sense of community. They also feature shared amenities such as community gardens and parks, co-working spaces, and cultural institutions that help to foster a sense of connection and cooperation among residents. Another key feature of the Utopian Floating Cities is their emphasis on beauty and aesthetics. They are designed to be visually stunning, with innovative architecture and landscaping that reflect the unique coastal environment. They also prioritize public art and cultural programming, helping to create a vibrant and engaging living environment for residents and visitors alike. Finally, the Utopian Floating Cities are designed to be adaptable and flexible, with a modular approach that allows for expansion and evolution over time. This approach enables the cities to grow and change in response to changing needs and circumstances, ensuring that they remain relevant and valuable for residents and communities for generations to come. Overall, the Utopian Floating Cities are a groundbreaking concept in urban design that offers a sustainable, resilient, and beautiful living environment for coastal communities around the world. We believe that this concept has the potential to transform the way we think about urban living, and to create a brighter and more sustainable future for all.
Andrew Pavlov
April 23, 2023
Honorable Mention
Underwater city
The Underwater City is a visionary new concept in urban design that reimagines the way we think about living spaces. This unique city is built underwater, with a focus on sustainability, resilience, and innovation. At its core, the Underwater City is designed to be self-sufficient and sustainable. The city harnesses the power of ocean currents and tides to generate electricity and uses seawater for cooling and other needs. The city also features advanced water management systems that recycle and purify water, making it a model of sustainable urban living. The Underwater City is also designed to be resilient in the face of natural disasters such as hurricanes and tsunamis. Its unique location underwater provides a natural buffer against storms, and the city's architecture is designed to withstand extreme weather events. Another key feature of the Underwater City is its emphasis on community and social interaction. The city is designed to be walkable, with pedestrian-friendly streets and public spaces that encourage residents to interact with one another and build a sense of community. It also features shared amenities such as community gardens, parks, and cultural institutions that help to foster a sense of connection and cooperation among residents. The Underwater City also prioritizes innovation and cutting-edge technology. The city is designed with advanced construction techniques that allow it to be built quickly and efficiently. It also features innovative transportation systems, such as underwater trains and high-speed watercraft, that connect residents to the rest of the world. Finally, the Underwater City is designed to be visually stunning, with architecture and landscaping that reflect the beauty of the ocean environment. It also prioritizes public art and cultural programming, helping to create a vibrant and engaging living environment for residents and visitors alike. Overall, the Underwater City is a groundbreaking concept in urban design that offers a sustainable, resilient, and visually stunning living environment. We believe that this concept has the potential to transform the way we think about urban living, and to create a brighter and more sustainable future for all.
Andrew Pavlov
April 23, 2023
Honorable Mention
Utopian sustainable city
My generative utopian city is designed to promote harmony, sustainability, and well-being. It is a reflection of the values and aspirations of the community, and it is designed to enhance the quality of life of its inhabitants. The utopian city is designed to be walkable, with pedestrian-friendly streets and public spaces that encourage interaction and community engagement. Buildings are designed to be energy-efficient, with green roofs and walls providing natural insulation and improving air quality. The city is designed to be compact, with a mix of residential, commercial, and cultural spaces integrated into the fabric of the city.
Melhem Abilmona
May 2, 2023
Honorable Mention
Balinese Utopia in 2060 (Phase I)
Bali is a tropical island located in Southeast Asia, Indonesia. This province is surrounded by vast and beautiful seas, lush tropical rainforests and there are tours to climb rocks with large rocks. The beautiful natural potential has resulted in many people being interested in exploring Bali, including Wayan and his friends. That day Wayan and her millennial gang friends planned to go to the beautiful Munduk Forest for Komang's research on forest mapping in Bali. After walking for hours until the afternoon they found something mysterious in the middle of the forest. Wayan finds a portal in which there is a few giant alien-like eggs. Out of fear, Wayan called Komang and Indah.
Nurul Maghfirah
May 2, 2023
Honorable Mention
Limited WIFI; Lots of Seasonal Sun Path
An environmental house designed to intuitively engage with site and environment following its own natural rhythm. Form and function are born out of unique site conditions and human daily program. This house can only exist in this particular location, environment, and seasons. Limited WIFI, contemplative, seclusion, natural elements, and circadian rhythm. A dwelling designed to turn off from a manic information driven world (for a while), tune into its natural environment, and in doing so, tunes into the true you!
duncan firth
June 12, 2023
Honorable Mention
Green megapolis
In this project, I would like to share my ideas regarding the biggest issues, in my opinion, and how life and the environment could look like without them. I believe the greatest progress could be made by taking care of nature and finding smart ways to combine it with modern technologies.
Antonina Piskunova
May 8, 2023
Honorable Mention
Imaginary Habitations
I am Alicia Andares, Mexican, 46 years old. I love calligraphy, poetry, dancing, watching movies, philosophy and photography. I am dedicated to translating, proofreading, reading, writing, drawing, designing and sharing my vision of the world through words and images. I am not an architect nor did I study design. Recently I make a living preparing and distributing honey with turmeric, ginger and spices. I have no credentials or career as an artist. However, little by little, I have learned to follow my intuition, to make my own way, to leave vicious patterns behind, and to work to materialize dreams. I have been designing commands for AI generators that honor various people, artists and collectivities that nurture my dreams for the future. In the first instance, I am inspired by Iki, my 3-year-old son, whom I would like to raise in spaces where life is at the center of everyone's care. I am inspired by my partner, Sergio, a strong and tenacious man, with whom I share imagination and daily effort; every day he adds fuel to the fire of our possibility of building our own home, with imagination and material strength. I am motivated by the fact that my parents are still struggling to get the regularization and the property deeds of the micro house of social interest that cost them so much to pay for. I was inspired by my best friend, Pablo Mansilla Salinas, a Bolivian-Mexican architect, passionate about the Earth, eco-techniques, bio-construction and green projects, who has been exploring self-construction techniques for years, and with whom I share dreams and utopias. More than 20 years ago he showed me the architecture of Antonio Gaudi and Hundertwasser, and since then both architects and artists are engraved in my mind. Gaudi and his architectural approach, based on the conviction that nature and architecture should merge in harmony, and that function and aesthetics should be intrinsically linked. Hundertwasser and his proposal to appropriate windows, to grow next to trees, to incorporate eco-techniques of rainwater harvesting and green roofs, as well as to consider and care for our 5 skins has fueled my constructive imagination for years. Color, light and all the natural forms of the Earth inspire me; that is why I declare myself totally biophilic. I am also inspired by the curved line, the evident geometry of flowers, the exuberance of plants, cacti and succulents, and the greenery of hills, trees, fields, milpas and crops. I am inspired by numbers, symmetry, tessellations, the golden section, Fibonacci, Pi, the Golden ratio, the Rose of Venus, the spiral, the vortex, the rhizomatic and the fractalic, chaotic mathematics and quantum physics. I am inspired by rhythm and musical harmony. I am inspired by the daily changing celestial landscape, as well as the sinuous line of rivers, the fortunately little known ancient human footpaths, the cobblestone streets and the intrinsic beauty of the communal lands in the municipality where I live, where you can still find, besides dogs and cats, chickens, cows, horses, and even rabbits and cacomixtles. I like the silence at sunset; it is my favorite hour, because it inspires me to live more attentive to the natural cycles, and when the sun kisses the earth it seems to remind us that we do not fall: Earth and Sky support us: "as above so below". I love life in nature, but I am also inspired by those who have made their homes with their hands, in the city: the great tradition of self-construction of popular urban housing in my hometown and my country. I am inspired by the communities and peoples of Latin America who resist with their collective forms of life, despite the fact that the individualist onslaught is tearing apart fabrics and territories. The millenary wisdom of the native peoples who struggle against accumulated layers and layers of colonialism, dispossession, violence and extraction of all kinds of resources invites us to reflect on what kind of life we want to live, and how we are going to take care of what is left alive on the planet, how to get to live in the countryside or in the cities in new ways, that are respectful not only of the environment and the cyclicity of living organisms but also of the historical human communities and native peoples that care for and transmit love, respect, awareness of life and help us to understand the sense of reciprocity and mutual nurturing with the living systems of the planet. I am inspired by all the architects, designers, masons and self-builders who work with cob, bajereque, adobe, superadobe, straw, reed, bamboo, wood and recycled materials, fibers, stone and ecological materials of all kinds. I am inspired by the architecture of the Arab world, the arches and domes, the tadelakt, its leit-motifs. Philosophically, I have been inspired by Iván Ilich, Tomás Segovia, Theodore Roszak, Terence Mackenna, Simone Weil, and all the unknowns who have contributed and broken new ground in the arts and ways of doing and living more in accordance with human scale and proportion. I am inspired by my cousin Lucia, an architect, who started designing a lamp, and today is a super interior design consultant worldwide. I am inspired by women like Eva Capece and Silvia Rivera Cusicanqui who have left the academy to work with their hands; women like "La Shunca" and Gaby Colmenares, who have tried to turn around peasant women; the micro enterprises and cooperative networks; the collectives of mutual support and individual personalities who, in spite of everything, after so much apocalypse, still consider important the own steps, self-determination and autonomy, the intrinsic poetry in the audacity of collective self-management and the construction of utopia. I want to learn to make houses and buildings, and I want to learn by constructing with my own hands. I make images in artificial intelligence generators for inspiration to feed our creative mind, to give us spectacular images that lead us to action. (My real name is Alicia Gómez Andrade, but I use Alicia Andares as an avatar name at internet)
Alicia Andares
June 9, 2023
Honorable Mention
Honorable Mention
Central Hub for Biotechnological Advancements
Serving as a central hub for biotechnological advancements, the architectural design revolutionizes traditional concepts of laboratory environments by seamlessly integrating elements of nature and landscapes into the building structure. This innovative design comprises distinct sections, including Jellyfish and Trees laboratories, an exhibition, two significant assembly spaces, and various interconnected pathways. By combining these elements, the biotech company introduces a new approach to experiencing laboratory spaces. Scientists will be focusing on immortal jellyfish and millennium-lived tree species.
Samaher Abouauf
May 28, 2023
Honorable Mention
The Grid - Extended Edition
“And I saw a new heaven and a new earth. For the first heaven and the first earth passed away, and the sea is no more.” Revelation 21:1 My goal with this work was to create an experience of using AI in an architect's creative process. The concept was of architecture possible in the next 200 years, so I created the concept of The Grid. The Grid is basically a virtual universe (like metaverse) where people, voluntarily, decided to abandon their physical lives to live in a virtual universe, where everything is customized and each person lives a reality that directly corresponds to what they most want, like a perfect world, or almost. At the same time, part of society decided to oppose this, isolating itself in self-sustaining cities, where people disconnected from technology and live like we did about 10 years ago. In this way, distributing themselves in a more sustainable way of life and in a way to face the problems and not run away from them. The idea of the Grid acts as an expanded simulacrum of our current reality, where what we see and what we don't see depends on algorithms , where the main selection factor is to make the user spend as much time as possible connected and thus collect data that is later sold. In such a way, it seems natural that in view of an imminent future in this scenario, some opposition to the status quo will arise. I represented it by using Ai images and 3D models in a 3D rendering in Lumion. The text is important to me, as I think I can express myself better by writing. By the same token, I really enjoyed creating images using the AI's because I can use my best form of communication to create images. For this project, I used several AI's such as Mid Journey, Dall-E 2, Stable Diffusion, Coherent (not used in this presentation here) and AI Image Enlarger, after that I polished the images in the Photoshop. At the end of the text, I tell my conclusion about the experience of using AI as a design tool. To carry out this work I used a technique of creating images in various artificial intelligences and then refining them with the Image to Image tool of Stable Diffusion, thus achieving much more realistic and detailed images. (I'm from Brazil so, I want to apologize for my english). This project was conceived for the subject "Project 5 - Building in height", during stage 3, called Utopia, where the teachers encouraged us to create a utopian or dystopian world and imagine how this utopia would affect architecture in the future. The entire project was carried out by me (Matheus Rudo) and was guided by professors Cynthia Nojimoto and Ludimilla Santos, from the University of Brasília, in Brazil. I am a student of the architecture and urbanism course at the University of Brasilia. In this edition of this project, I'll make available the story behind The Grid and all of it's mysteries. Please, enjoy. Note 1: If you don't wanna know the story, proceed to the images.
Matheus Rudo Antoniassi Pereira de Oliveira
April 17, 2023
Honorable Mention
Utopian Living: Mountains of Waterfalls for All
A utopian living environment is created in the high mountains with waterfalls slicing through the landscape. The architecture is inspired by nature and the surrounding environment. The layout of the homes are designed to be connected with each other and with the natural surroundings. The homes are made with natural materials and have a rustic feel. The residents can enjoy the natural beauty and peace of the surroundings while being close to all the amenities they need. The goal of the project is to abandon the congested urban centers of today for open spaces.
Imran Ahmed
April 19, 2023
Honorable Mention
"A Mile High"
In an attempt to compose a utopia somewhat relative to the conditions of our planet, it is imperative to investigate the variety of elevations relative to earth. With the continuation of building taller, this project explores an unlimited atmosphere and visualizes the spatial qualities for living a mile high. These images pique a curiosity for nature’s place in a utopia amongst the clouds. “A Mile High” explores the visuals for how humanity can operate on a land high above ground. This utopia focuses on a reimagination of multiple aspects of living, including sustainability and nature’s potential interaction with education, community, healthcare, and residential architecture.
Brandon Gicquel
June 20, 2023
Honorable Mention
Genuinely Human
In the long distant future, the interbreeding of faith and technology gives birth to a deviant architecture. There is a place for God in a completely mechanical world – experientially, conceptually, and institutionally. Religious buildings no longer represent real places but serve as imaginative constructs that reflect various aspects of human experience, desire, and perception. They emerge from the shadows cast by decayed digital data.
Tina Wang
June 20, 2023
Honorable Mention
Imaginary habitations
I am Alicia Andares, Mexican, 46 years old. I love calligraphy, poetry, dancing, watching movies, philosophy and photography. I am dedicated to translating, proofreading, reading, writing, drawing, designing and sharing my vision of the world through words and images. I am not an architect nor did I study design. Recently I make a living preparing and distributing honey with turmeric, ginger and spices. I have no credentials or career as an artist. However, little by little, I have learned to follow my intuition, to make my own way, to leave vicious patterns behind, and to work to materialize dreams. I have been designing commands for AI generators that honor various people, artists and collectivities that nurture my dreams for the future. In the first instance, I am inspired by Iki, my 3-year-old son, whom I would like to raise in spaces where life is at the center of everyone's care. I am inspired by my partner, Sergio, a strong and tenacious man, with whom I share imagination and daily effort; every day he adds fuel to the fire of our possibility of building our own home, with imagination and material strength. I am motivated by the fact that my parents are still struggling to get the regularization and the property deeds of the micro house of social interest that cost them so much to pay for. I was inspired by my best friend, Pablo Mansilla Salinas, a Bolivian-Mexican architect, passionate about the Earth, eco-techniques, bio-construction and green projects, who has been exploring self-construction techniques for years, and with whom I share dreams and utopias. More than 20 years ago he showed me the architecture of Antonio Gaudi and Hundertwasser, and since then both architects and artists are engraved in my mind. Gaudi and his architectural approach, based on the conviction that nature and architecture should merge in harmony, and that function and aesthetics should be intrinsically linked. Hundertwasser and his proposal to appropriate windows, to grow next to trees, to incorporate eco-techniques of rainwater harvesting and green roofs, as well as to consider and care for our 5 skins has fueled my constructive imagination for years. Color, light and all the natural forms of the Earth inspire me; that is why I declare myself totally biophilic. I am also inspired by the curved line, the evident geometry of flowers, the exuberance of plants, cacti and succulents, and the greenery of hills, trees, fields, milpas and crops. I am inspired by numbers, symmetry, tessellations, the golden section, Fibonacci, Pi, the Golden ratio, the Rose of Venus, the spiral, the vortex, the rhizomatic and the fractalic, chaotic mathematics and quantum physics. I am inspired by rhythm and musical harmony. I am inspired by the daily changing celestial landscape, as well as the sinuous line of rivers, the fortunately little known ancient human footpaths, the cobblestone streets and the intrinsic beauty of the communal lands in the municipality where I live, where you can still find, besides dogs and cats, chickens, cows, horses, and even rabbits and cacomixtles. I like the silence at sunset; it is my favorite hour, because it inspires me to live more attentive to the natural cycles, and when the sun kisses the earth it seems to remind us that we do not fall: Earth and Sky support us: "as above so below". I love life in nature, but I am also inspired by those who have made their homes with their hands, in the city: the great tradition of self-construction of popular urban housing in my hometown and my country. I am inspired by the communities and peoples of Latin America who resist with their collective forms of life, despite the fact that the individualist onslaught is tearing apart fabrics and territories. The millenary wisdom of the native peoples who struggle against accumulated layers and layers of colonialism, dispossession, violence and extraction of all kinds of resources invites us to reflect on what kind of life we want to live, and how we are going to take care of what is left alive on the planet, how to get to live in the countryside or in the cities in new ways, that are respectful not only of the environment and the cyclicity of living organisms but also of the historical human communities and native peoples that care for and transmit love, respect, awareness of life and help us to understand the sense of reciprocity and mutual nurturing with the living systems of the planet. I am inspired by all the architects, designers, masons and self-builders who work with cob, bajereque, adobe, superadobe, straw, reed, bamboo, wood and recycled materials, fibers, stone and ecological materials of all kinds. I am inspired by the architecture of the Arab world, the arches and domes, the tadelakt, its leit-motifs. Philosophically, I have been inspired by Iván Ilich, Tomás Segovia, Theodore Roszak, Terence Mackenna, Simone Weil, and all the unknowns who have contributed and broken new ground in the arts and ways of doing and living more in accordance with human scale and proportion. I am inspired by my cousin Lucia, an architect, who started designing a lamp, and today is a super interior design consultant worldwide. I am inspired by women like Eva Capece and Silvia Rivera Cusicanqui who have left the academy to work with their hands; women like "La Shunca" and Gaby Colmenares, who have tried to turn around peasant women; the micro enterprises and cooperative networks; the collectives of mutual support and individual personalities who, in spite of everything, after so much apocalypse, still consider important the own steps, self-determination and autonomy, the intrinsic poetry in the audacity of collective self-management and the construction of utopia. I want to learn to make houses and buildings, and I want to learn by constructing with my own hands. I make images in artificial intelligence generators for inspiration to feed our creative mind, to give us spectacular images that lead us to action. (My real name is Alicia Gómez Andrade, but I use Alicia Andares as an avatar name at internet)
Alicia Andares
June 22, 2023
Honorable Mention
Intentions for São Paulo: Minhocão rehearsal
Through a suggested route, “Intentos por São Paulo: Ensaio Minhocão” provokes all of us, subjects who use, consume and produce the urban, to reflect on the relevance of experiences, perception and spatial apprehension of the city in everyday life. The proposal takes shape by connecting four “intentos” (interventions) along the path of the viaduct Elevado Pres. João Goulart (Minhocão), in the city center of São Paulo. Each attempt seeks to sensitize individuals by sharpening the senses of those who connect physically and visually in these spaces. The aim is to remove individuals from the state of anesthesia in the real world caused by the hypervaluation of the virtual world, using, as an artifice, human physical experiences such as sitting, feeling, smelling, living. To this end, we work with the idea of decompressing passers-by in spaces that allow them to pause and perceive the dynamics around them. Each project is carried out in a unique way and adapted to its context, emphasizing the urban layer of communication and culture through shock, mixture and experiences. That is, it generates identity and belonging through the unique memories created between the individual, the collective and the urban space. “These spatial experiences are open ended, they form a network of overlapping perspectives.” Steven Holl.
Julia Getschko
May 2, 2023
Honorable Mention
Bio Architecture Domes
In Inphinity Design, we utilize sacred geometry, bioarchitecture and Vastu Shastra tools to align with nature to provide a more coherent human-centric and natural healing environment for optimal health, to cultivate a higher quality of resonance for living, learning, and healing. Our design philosophy focuses on creating buildings and structures that are in harmony with the natural systems and the environment. It incorporates principles of ecology, sustainability, and biophilia, the human connection to nature, into the design process. The goal is to create spaces that are not only functional and efficient but also promote balance and well-being for the people who use them.
Inphinity Design
January 15, 2023
Honorable Mention
Ascension Temples of Earth
Imagine a world where spaces enhance human potential, personal healing and collective evolution. Designed with sacred geometry to activate and harmonize spaces with the source codes of creation.. This is a new architectural blueprint... One designed to realign humanity and revolutionize the future of architecture.
Inphinity Design
January 15, 2023
Honorable Mention
Floratopia
Floratopia : a utopia where the fluidity of architectural design converges with the captivating beauty of roses. Inspired by the harmonious relationship between nature and architecture, our concept aims to create a transformative and immersive experience. Join us as we explore a visionary world where fluid forms and the delicate allure of roses intertwine to redefine the boundaries of architectural expression. Our concept revolves around the seamless integration of fluid architectural elements and the poetic symbolism of roses. We seek to create an environment that evokes a sense of wonder and invites exploration. Through fluid lines, dynamic spaces, and organic shapes, we aim to embody the inherent beauty, growth, and fragility associated with both fluid architecture and the timeless allure of roses.
Htun Nay Chi Cho
June 29, 2023
Honorable Mention
Two-Way Ticket
While the internet revolutionized human connection unlike any other technology, it inadvertently led to the fragmentation of our collective sense of unity. The convenience of interacting with others from the comfort of one's bed comes at the cost of reducing individuals to mere icons or names, eroding the depth of our understanding of one another. Consequently, the significance placed on personal characteristics has been overshadowed by the dominance of online presence. In an ambitious endeavor to restore genuine human connections, "Two-Way Ticket" seeks to reconnect people through the implementation of expansive public transportation systems.This groundbreaking initiative establishes vital links between small farm towns and bustling cities. The transformative nature of this endeavor not only overcomes cultural barriers but also imparts knowledge to communities, fosters collaborative endeavors, and cultivates a sense of unity. It allows individuals to embark on a journey, purchasing a ticket to a small town, and returning home the next day enriched with new friendships and a fresh perspective. The generated architecture is vernacular, inspired by its environment and/or purpose: wheat fields surrounding farm towns, the connectivity in spider webs, and the graffiti plastering the walls of cities.
Caleb Peters
July 4, 2023
Honorable Mention
Imaginary Habitations
I am Alicia Andares, Mexican, 46 years old. I love calligraphy, poetry, dancing, watching movies, philosophy and photography. I am dedicated to translating, proofreading, reading, writing, drawing, designing and sharing my vision of the world through words and images. I am not an architect nor did I study design. Recently I make a living preparing and distributing honey with turmeric, ginger and spices. I have no credentials or career as an artist. However, little by little, I have learned to follow my intuition, to make my own way, to leave vicious patterns behind, and to work to materialize dreams. I have been designing commands for AI generators that honor various people, artists and collectivities that nurture my dreams for the future. In the first instance, I am inspired by Iki, my 3-year-old son, whom I would like to raise in spaces where life is at the center of everyone's care. I am inspired by my partner, Sergio, a strong and tenacious man, with whom I share imagination and daily effort; every day he adds fuel to the fire of our possibility of building our own home, with imagination and material strength. I am motivated by the fact that my parents are still struggling to get the regularization and the property deeds of the micro house of social interest that cost them so much to pay for. I was inspired by my best friend, Pablo Mansilla Salinas, a Bolivian-Mexican architect, passionate about the Earth, eco-techniques, bio-construction and green projects, who has been exploring self-construction techniques for years, and with whom I share dreams and utopias. More than 20 years ago he showed me the architecture of Antonio Gaudi and Hundertwasser, and since then both architects and artists are engraved in my mind. Gaudi and his architectural approach, based on the conviction that nature and architecture should merge in harmony, and that function and aesthetics should be intrinsically linked. Hundertwasser and his proposal to appropriate windows, to grow next to trees, to incorporate eco-techniques of rainwater harvesting and green roofs, as well as to consider and care for our 5 skins has fueled my constructive imagination for years. Color, light and all the natural forms of the Earth inspire me; that is why I declare myself totally biophilic. I am also inspired by the curved line, the evident geometry of flowers, the exuberance of plants, cacti and succulents, and the greenery of hills, trees, fields, milpas and crops. I am inspired by numbers, symmetry, tessellations, the golden section, Fibonacci, Pi, the Golden ratio, the Rose of Venus, the spiral, the vortex, the rhizomatic and the fractalic, chaotic mathematics and quantum physics. I am inspired by rhythm and musical harmony. I am inspired by the daily changing celestial landscape, as well as the sinuous line of rivers, the fortunately little known ancient human footpaths, the cobblestone streets and the intrinsic beauty of the communal lands in the municipality where I live, where you can still find, besides dogs and cats, chickens, cows, horses, and even rabbits and cacomixtles. I like the silence at sunset; it is my favorite hour, because it inspires me to live more attentive to the natural cycles, and when the sun kisses the earth it seems to remind us that we do not fall: Earth and Sky support us: "as above so below". I love life in nature, but I am also inspired by those who have made their homes with their hands, in the city: the great tradition of self-construction of popular urban housing in my hometown and my country. I am inspired by the communities and peoples of Latin America who resist with their collective forms of life, despite the fact that the individualist onslaught is tearing apart fabrics and territories. The millenary wisdom of the native peoples who struggle against accumulated layers and layers of colonialism, dispossession, violence and extraction of all kinds of resources invites us to reflect on what kind of life we want to live, and how we are going to take care of what is left alive on the planet, how to get to live in the countryside or in the cities in new ways, that are respectful not only of the environment and the cyclicity of living organisms but also of the historical human communities and native peoples that care for and transmit love, respect, awareness of life and help us to understand the sense of reciprocity and mutual nurturing with the living systems of the planet. I am inspired by all the architects, designers, masons and self-builders who work with cob, bajereque, adobe, superadobe, straw, reed, bamboo, wood and recycled materials, fibers, stone and ecological materials of all kinds. I am inspired by the architecture of the Arab world, the arches and domes, the tadelakt, its leit-motifs. Philosophically, I have been inspired by Iván Ilich, Tomás Segovia, Theodore Roszak, Terence Mackenna, Simone Weil, and all the unknowns who have contributed and broken new ground in the arts and ways of doing and living more in accordance with human scale and proportion. I am inspired by my cousin Lucia, an architect, who started designing a lamp, and today is a super interior design consultant worldwide. I am inspired by women like Eva Capece and Silvia Rivera Cusicanqui who have left the academy to work with their hands; women like "La Shunca" and Gaby Colmenares, who have tried to turn around peasant women; the micro enterprises and cooperative networks; the collectives of mutual support and individual personalities who, in spite of everything, after so much apocalypse, still consider important the own steps, self-determination and autonomy, the intrinsic poetry in the audacity of collective self-management and the construction of utopia. I want to learn to make houses and buildings, and I want to learn by constructing with my own hands. I make images in artificial intelligence generators for inspiration to feed our creative mind, to give us spectacular images that lead us to action. (My real name is Alicia Gómez Andrade, but I use Alicia Andares as an avatar name at internet)
Alicia Andares
July 11, 2023
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