Team:
Luca Augusto Corrêa
Ana Clara Cavalcante
Lucas Bernandes
Maria Isabela Araujo
Heitor Ribeiro

Cynthia Nojimoto
Ludmila Santos de Andrade
Angelina Nardelli

The main objective of the project is to provide qualitative social housing to the local community, and to support those who are experiencing homelessness. By promoting the interaction of the building with the urban infrastructure in the neighborhood in which it is located, the project centralizes the worker's residence, improving their quality of life. The program includes a complete support system with urban equipment, commerce, educational centers, community centers, health centers, and green areas, in other words, urban planning for the working class, combined with architecture. Typologies are created that meet the demands of diverse families while respecting the individuality and singularity of the users.

Throughout the project, the concept of walkability is presented, where there is a perception of spaces and views through the paths traveled and social interaction, as well as open terraces with vegetable gardens and voids that promote the urban landscape and integration of vertical neighborhoods, spaces of contemplation and idleness essential in a metropolis like São Paulo. Based on the repertoire and design exercises, some elements were brought in to contribute to the guidelines defined for the site and the ideas discussed about the land and formal possibilities.

Thus, the idea of connecting the two buildings was initiated, while understanding the context and the interference of building heights, and bringing references to local architecture into the design, expressing movement and presenting a volumetry that stands out without erasing the existing history, contributing to and continuing with what is present. The connections also have a role in expressing the division of the implemented use sectors in the architectural form, demonstrating the functional character of the buildings, while the protruding slabs and guardrails highlight the structural character.

Concept and Design Approach

Aerial perspective and its relation to the surroundings.

Site Plan

The volumetry seeks to break away from the recurring orthogonality of São Paulo's cityscape while reinforcing the numerous movements and flows that make up the city center with its sculptural curves. Its red color represents its popular and social power, together with its curves associated with the complexity of human relationships and their organic qualities.

A footbridge draws the connection between institutional and residential, between work and home - a key movement for a large part of the population of a metropolis.

The interaction with vegetation and the purity of the materials used harkens back to the Paulista Brutalism and its recurring organic feature. The ground floor seeks to create intimacy with the idea of the high-rise building, inviting the passerby to take shelter.

The loose slabs reinforce the movements generated by the light curves that make up its design, giving meaning to the function of the footbridge and turning its path into a unique experience.

 Its movement understands its surroundings and adapts naturally to fit in, reinforcing the organic nature of the project, drawing light and shadow, and guiding the landscape.

Volumetry

The structures used were divided into three parts, which were reinforced concrete, steel beam, and steel deck for the institutional building's slab. The choice was defined according to the rigid core and the possibility of having no pillars, with one side of the 50m span bridge connecting to this core. Steel beams were chosen for the bridge construction due to the material's versatility, and the arch made along its length allows for a better-structured load support, providing a clear view.

The right building is built of reinforced concrete, with no beams, and its slab has a section to become structural. The pillars interconnecting the floors were made following a curved shape, and the rigid core was removed for better room coverage. A staircase and elevator shaft were placed at the end for better support

A population of approximately 400 people was calculated for the residential building and 220 people for the institutional building, requiring a total reserve of 42,000L in the residential building (divided into 16,800L in the upper reservoir and 25,200L in the lower reservoir) and 15,000L in the institutional building (only in the upper reservoir), with these reservoirs being made of cast-in-place concrete.

According to safety standards, smoke-proof enclosed staircases were designed with only refuge areas, based on the activities involved.

Furthermore, the necessary parameters for the elevators were calculated, using a Schindler model with a capacity of 10 people at a speed of 1.5 m/s. Due to the specificities and minimum times required for each building in their different uses, it was determined that two elevators were needed in the institutional building and three elevators in the residential building.

Complex 1st of May

My partner and I were very interested in creating a double-skin facade. While having exposed structure. Creating this while also having a thermal break was challenging. Still, after discussing with consultants, we decided to create a decoy structure on the outside to cosmetically show the structure but still have a thermal break.

Implementing a double-skin facade on a building facing a river can offer several significant advantages. The dual layers of glass can enhance thermal insulation, contributing to improved energy efficiency by providing an additional barrier against external temperature fluctuations. This is particularly beneficial near bodies of water where weather conditions might vary. The facade's design can also capitalize on the scenic river views, allowing for controlled natural ventilation and daylight harvesting, creating a visually pleasing and environmentally responsive building envelope.

Double Skin Parti

During discussions with consultants, incorporating a cosmetic structure on the exterior emerged as a strategic solution to establish a thermal break for the entire building. While serving an aesthetic purpose, this outer layer plays a crucial role in insulating the structure from external temperature influences. By acting as a thermal barrier, the cosmetic structure helps regulate heat transfer, contributing to improved energy efficiency within the building. This approach not only underscores the significance of sustainable design but also highlights the integration of aesthetic elements as functional components in the overall thermal performance of the structure.

Exploded Wall Axon

Integrating two widths within our double-skin facade presents a multifaceted solution that enhances pedestrian circulation and ventilation. The varying widths create an engaging architectural rhythm that is aesthetically pleasing and strategically accommodating for pedestrian movement. More comprehensive sections can be designed as inviting pockets, encouraging people to pause and enjoy the surroundings fostering a dynamic pedestrian experience. Simultaneously, the narrower sections facilitate the building's efficient airflow and natural ventilation. 

Wall Ventilation

The perspective above offers a striking view from the main road, showcasing our innovative glazing and double-skin facade. From this vantage point, the architectural design comes to life, capturing the attention of passersby with its dynamic play of widths and textures. The intentional variation in the facade not only serves a functional purpose in optimizing ventilation but also creates a visually engaging and aesthetically pleasing experience for those approaching from the main road. 

Merrimack St. Perspective

The Birdcage

This studio course is part of a comprehensive engagement initiative, exploring architecture’s impact on community, education equity, sustainability, and urban structures. It promotes collaboration, as students engage with professionals and stakeholders, drawing insights from seminars. The core theme is transformation, specifically rethinking the relocation of the John D. O’Bryant School to the dormant West Roxbury Education Center. Proposals focus on adapting the structure to O’Bryant’s needs and prioritizing student input.

An inventory was taken at the beginning of the project on the existing multi-height spaces due to the spaces not being articulate on the facade (left). Nearing the end of our project we took another inventory of our interventions to compare it to the existing inventory. While speaking to our students at the O'Bryant school, they expressed their discomfort with the crowded hallways. Our solution was to create pull-over spaces in the hallways where students could pull over and take themselves away from the busy hallways—taking that concept and expanding it to four different scales that are consistent throughout the project.

Inventory Axons & Social Scales

The preceding index delineates the strategic locations our architectural team chose to manifest our interventions. Comprising a total of six carefully curated interventions, it serves as a comprehensive showcase encapsulating the entirety of the project.

Interventions Index

The existing corridor unveils a double-height expanse adjacent to an existing courtyard. Our architectural vision discerns the ideal juxtaposition of a breakout space within the hallway, harmonizing seamlessly with the proximate courtyard.

Existing Hallway

Our architectural intervention in the hallway nurtures a dedicated pull-over space that gracefully integrates with the corridor and the adjacent courtyard. At the micro-scale, this design allows for one or two students to retreat, providing a tranquil respite from the bustling hallways.

Hallway

Redefining Spaces

ABSTRACT:
This research paper explores sustainable development in architecture, focusing on key principles such as green building materials, energy-efficient design, waste reduction, water conservation, adaptive reuse, and community engagement. Emphasizing the role of architects in creating a greener future, the paper highlights practices like using recycled and locally sourced materials, integrating renewable energy sources, and managing construction waste. It also discusses water-saving technologies and the importance of adaptive reuse in reducing environmental impact. The research concludes by underlining the significance of community engagement through participatory design and education initiatives. This concise overview demonstrates the multifaceted nature of sustainable architecture and its potential to shape a resilient and inclusive built environment.

INTRODUCTION:
Sustainable development in architecture is an integral part of addressing contemporary environmental challenges and creating a built environment that harmonizes with the natural world. This paper delves into the multifaceted aspects of sustainable development in architecture, emphasizing key principles and their impact on the construction industry and the broader ecosystem. By exploring the integration of green building materials, energy-efficient design, waste reduction, water conservation, adaptive reuse, and community engagement, we aim to illustrate how architects can contribute to a more environmentally conscious and resilient future.

1. Green Building Materials:
The choice of materials in construction significantly influences the environmental impact of buildings. Sustainable architecture places a strong emphasis on the use of green building materials that minimize resource depletion and promote ecological balance. Recycled steel, bamboo, reclaimed wood, and other environmentally friendly materials are gaining popularity for their ability to reduce the carbon footprint associated with construction.
    1.1 Recycled and Recyclable Materials
Incorporating recycled materials into construction not only reduces the demand for virgin resources but also minimizes the energy required for extraction and processing. Additionally, the use of recyclable materials ensures that, at the end of a building's life cycle, its components can be easily repurposed or recycled, contributing to a circular economy in the construction industry.
    1.2 Locally Sourced Materials
Transporting materials over long distances contributes to greenhouse gas emissions. Sustainable development in architecture encourages the use of locally sourced materials to reduce the environmental impact of transportation. This approach not only supports local economies but also helps create a more resilient and sustainable supply chain.

2. Energy-Efficient Design:
Architects play a crucial role in reducing the energy consumption of buildings through innovative design strategies. Energy-efficient buildings not only lower operational costs but also contribute to a more sustainable and resilient infrastructure.
2.1 Passive Design Strategies
Passive design strategies focus on maximizing natural light and ventilation, reducing the need for artificial lighting and air conditioning. Well-designed buildings take advantage of the local climate, incorporating features such as large windows, shading devices, and thermal mass to enhance energy efficiency.
2.2 Integration of Renewable Energy Sources
Harnessing renewable energy sources is a key component of sustainable architecture. Solar panels, wind turbines, and other renewable technologies can be integrated into building design to generate clean energy on-site. This not only reduces reliance on fossil fuels but also contributes to a more sustainable energy grid.

3. Waste Reduction and Recycling:
Construction activities generate a significant amount of waste, contributing to landfill congestion and environmental degradation. Sustainable development in architecture places a strong emphasis on waste reduction and recycling throughout the construction process.
3.1 Construction Waste Management
Architects can design with a focus on minimizing construction waste by specifying modular components, pre-fabricated materials, and efficient construction techniques. Contractors can implement waste management plans that prioritize recycling and reuse, diverting materials from landfills and minimizing the environmental impact of construction activities.
3.2 Life Cycle Assessment
Sustainable architecture considers the entire life cycle of a building, from construction to demolition. Life cycle assessment (LCA) tools help architects and developers analyse the environmental impact of materials and design choices over the entire lifespan of a building, guiding decisions that optimize sustainability.

4. Water Conservation:
Water scarcity is a pressing global issue, and sustainable development in architecture addresses this challenge through the incorporation of water-saving technologies and practices.
4.1 Rainwater Harvesting
Rainwater harvesting systems capture and store rainwater for later use, reducing reliance on traditional water sources. These systems can be integrated into building design, providing a sustainable and decentralized water supply for non-potable uses such as irrigation and flushing.
4.2 Efficient Plumbing Fixtures and Landscape Design
Sustainable architecture promotes the use of water-efficient plumbing fixtures, such as low-flow toilets and faucets, to minimize water consumption. Additionally, landscape design plays a crucial role in water conservation by incorporating drought-tolerant plants and efficient irrigation systems.

5. Adaptive Reuse and Urban Planning:
Sustainable development extends beyond individual buildings to encompass broader urban planning strategies. Adaptive reuse and thoughtful urban planning contribute to more sustainable, resilient, and socially inclusive communities.
5.1 Adaptive Reuse of Existing Structures
Rather than demolishing existing buildings, sustainable architecture promotes adaptive reuse. Transforming old structures into functional spaces not only preserves cultural heritage but also reduces the environmental impact associated with new construction. This approach aligns with the principles of circular economy by extending the life cycle of existing structures.
5.2 Mixed Land-Use Planning
Sustainable urban planning emphasizes mixed land-use, creating neighborhoods where residential, commercial, and recreational spaces are integrated. This reduces the need for extensive commuting, fostering walkable communities and reducing the environmental impact of transportation.

6. Community Engagement:
Community engagement is a fundamental aspect of sustainable development in architecture. Architects should actively involve local communities in the design and decision-making processes to ensure that buildings meet the needs and cultural values of the people they serve.
6.1 Participatory Design
Participatory design involves collaborating with community members to gather insights, preferences, and concerns. This inclusive approach ensures that architectural designs reflect the unique characteristics of the community and contribute to social sustainability.
6.2 Education and Outreach
Sustainable development in architecture requires a shift in mindset and behavior. Architects can engage in education and outreach initiatives to raise awareness about the benefits of sustainable design among community members, policymakers, and other stakeholders.


CASE STUDIES: SUSTAINABLE DEVELOPMENT IN INDIA

In the heart of Gurgaon, the ITC Green Centre stands as a testament to sustainable architecture. Designed to be a carbon-positive building, it incorporates various green features. The structure utilizes recycled and locally sourced materials, and its energy-efficient design includes rooftop solar panels that generate clean energy. The Green Centre also implements rainwater harvesting and wastewater treatment, reducing its impact on local water resources.

1. ITC Green Centre, Gurgaon

The Pearl Academy campus in Jaipur combines contemporary design with sustainable practices. The building features a unique façade designed to provide shade and reduce heat gain. The architects incorporated recycled materials, and the campus includes energy-efficient lighting and ventilation systems. Pearl Academy also engages with students, fostering an understanding of sustainable principles in the next generation of architects.

2. Pearl Academy, Jaipur

The S House in Kerala exemplifies sustainable architecture in a residential context. The design prioritizes passive cooling techniques, utilizing natural ventilation to maintain a comfortable indoor environment. The use of locally available materials and traditional construction methods minimizes the ecological footprint. Additionally, the house integrates rainwater harvesting and solar water heating systems, promoting self-sufficiency.

3. The S House, Kerala

Bengaluru International Airport has undergone significant renovations with sustainability in mind. The airport incorporates energy-efficient lighting, rainwater harvesting, and waste management practices. The architecture prioritizes natural
lighting in the terminal buildings, creating a welcoming and energy-efficient environment for travelers.

4. Bengaluru International Airport

Suzlon One Earth in Pune is an office campus that embraces sustainability. The buildings are designed to optimize natural light, reducing the need for artificial lighting. The campus incorporates green roofs, which not only enhance energy efficiency but also provide additional green spaces. Suzlon One Earth also focuses on water conservation through rainwater harvesting and efficient landscaping practices.

These case studies from across India showcase the diversity of sustainable practices in architecture. Whether in commercial, residential, or public spaces, architects in India are increasingly integrating environmentally friendly principles into their designs, contributing to a greener and more sustainable built environment.


CONCLUSION:

In conclusion, sustainable development in architecture is a holistic and dynamic approach that addresses environmental, social, and economic considerations. By prioritizing green building materials, energy-efficient design, waste reduction, water conservation, adaptive reuse, and community engagement, architects can contribute to the creation of a built environment that is both ecologically and socially sustainable. As the construction industry evolves, embracing these principles becomes imperative for shaping a greener, more resilient future. By integrating sustainable practices into architectural design and urban planning, we can build a foundation for a sustainable, regenerative, and inclusive built environment that meets the needs of current and future generations.


REFERENCES:

1. https://www.archdaily.com/970521/what-is-sustainable-architecture
2. https://greenbuildingcanada.ca/sustainable-architecture-essential-aspects/
3. https://en.wikipedia.org/wiki/Sustainable_architecture
4. Gissen, D. (2015). Subnature: Architecture's Other Environments. Princeton Architectural Press.
5. Poirazis, H., & Kensek, K. (2017). Building Information Modeling for Dummies. John Wiley & Sons.
6. Cole, R. J. (2017). Sustainable Architecture: Principles, Paradigms, and Case Studies. Routledge.
7. Kibert, C. J. (2008). Sustainable Construction: Green Building Design and Delivery. John Wiley & Sons.
8. ICT green center image - Jitendradewoolkar.com/sustainable-architecture/itc-green-center-gurgoan
9. Suzlon one earth image- https://www.architectural-review.com/buildings/suzlon-one-earth-pune-india-by-christopher-benninger
10. The S Kerala image - https://i.pinimg.com/originals/11/4c/e9/114ce94d782662858157cbe701ed5ab3.jpg
11. The Pearl Academy image - https://www.getmyuni.com/college/pearl-academy-jaipur
12. Bengaluru International Airport image - www.dqindia.com/bangalore-international-airport

5. Suzlon One Earth, Pune

SUSTAINABLE DEVELOPMENT IN ARCHITECTURE : BUILDING A GREENER FUTURE

East Boston addresses the pressing issue of affordable housing across diverse household types, encompassing singles, families, seniors, the workforce, and artists. Community resources are emphasized, aiming to enhance opportunities and social connectivity in the area. The guidance provided by urban and social framework studies from previous assignments is suggested for consideration in shaping project ideas. The approach encourages viewing these studies as potential sources of inspiration, allowing for independent and evolving ideas to contribute to the project's development.

I was tasked with conducting a demographic analysis focusing on the race and ethnicity of East Boston. By examining the racial and ethnic makeup, we aim to develop a comprehensive understanding of the social fabric, fostering informed decision-making processes for projects or initiatives tailored to the unique needs and characteristics of East Boston.

East Boston Race & Ethnicity Trends

Site 3 has the greenway on one side and 3-story single-family residential homes on the opposite side. To work within this context, I designed two different facade types on each side of the site, one that relates to the park and fits comfortably into the residential urban context.

Conceptual Design

Creating conceptual design collages yields many benefits in the architectural and design process. These collages serve as visual narratives, consolidating diverse ideas, inspirations, and design elements into a cohesive storyboard. By amalgamating images, textures, colors, and forms, designers can communicate abstract concepts more effectively, fostering a shared understanding among team members and stakeholders. Conceptual design collages also provide a platform for experimentation and exploration, allowing for the visualization of design possibilities before committing to a specific direction.

Conceptual Design Collage

The perspective offers a captivating view from the East Boston Greenway, strategically showcasing the seamless integration of the greenway's circulation with the first floor of my building. The design emphasizes a thoughtful connection, allowing a fluid transition from the vibrant outdoor space to the dynamic interior. The jagged facade, deliberately crafted, serves as a unique architectural feature that not only contributes to the building's aesthetic appeal but also offers an array of diverse views.

Green-way Perspective

East Boston Housing

The Bullitt Center is an ambitious experiment to create a new paradigm for 21st century architecture. The realization of this building is a marvel of how visionary building owners, an integrated design and construction team, collaborative regulators, and progressive financial partners are united towards a common goal.

The Bullitt Center

The Bullitt Center features a hybrid construction system. The three structural systems are: Concrete: The lower second floor consists of concrete columns and floor slabs. Concrete can support the structure of the upper floors. Timber: The rest of the floor is made of heavy timber, with a structure of columns and beams absorbing the loads from the concrete foundation. Steel: There is very little waste in procuring and polishing steel. Moment frames placed within the trellis provide vertical and lateral support.

Structure

The Bullitt Center is a high-performance building that uses state-of-the-shelf technology, such as the Schüco triple-glazed curtain wall and ground-source heat pumps. These components are high-cost, but when integrated into systems of reinforcing elements, they are critical to achieving high levels of performance. Fourteen-foot floor-to-floor ceiling heights and window heads that extend to the ceiling maximize daylight penetration so that electric light is generally not necessary during daylight hours even under commonly overcast skies. To be certified as a Living Building, the Bullitt Center must annually produce as much electricity as it uses.

Light & Air

EXTERIOR SHADES Automated exterior shades filter sunlight and reflect heat 
OPERABLE WINDOWS Give users more control over temperature via environmentally friendly means. Straight-out windows provide excellent airflow. 
METAL CLADDING Limited thermal bridging and absorption is achieved by installing a custom tongue and groove lap panel siding under a Schuco mullion. 
TRIPLE PANE GLASS Improves insulation and regulates internal temperature. 
AUTOMATED LOWER WINDOWS Programmed windows open and close on a temperature dependent schedule, cooling and heating the building

Enclosure

Bullitt Center Analysis

The concept of the mosque project is a magical storm of sands as it evolves to carve and generate a building out in the nowhere in the desert, simplicity, purity and minimalism at it finest. It  will blend with the surrounding environment which gives a sense of peace and calm from the harsh desert environment as well as it presents the future of the  buildings and architecture in a simple way which using the existing site to generate the building with less negative impact on the environment. When we move on to the major parts of the mosque is presented by merging them together and in the building.

My AI Architecture 2022 entry

The Bachelor's thesis focused on the innovative application of reverse processes in architecture. The primary objective was to envision a low-energy building suitable for Poland's unique environmental conditions. The design process was comprehensive, beginning with the floor plan's shape and extending to system solutions like the building's facade. These decisions were informed by a thorough analysis of available publications and sophisticated computer systems.  The fourth board of the project provides intricate details of the facade, including the window's mounting to the wall and the ground floor's construction. This board serves as a testament to the meticulous attention to detail employed throughout the project.  In the pursuit of a Master's degree, the project evolved to further scrutinize the architecture's impact on the Circadian Rhythm of its users. This involved an in-depth analysis of the building's orientation towards the sun, the strategic placement of windows, and the management of solar glares within the structure. This analysis was conducted using advanced tools like Ladybug and Honeybee, the results of which are displayed on the bottom longitudinal board.  This project represents a thoughtful exploration of architecture's potential to respond to environmental conditions while prioritizing energy efficiency and user comfort. It stands as a testament to the power of innovative design and rigorous analysis in the field of architecture.

Poster-04

Poster-03

Poster-02

Poster 01

Low Energy Office Building

A RESIDENTIAL BUILDING DESIGNED FOR A JOINT FAMILY OF 5 MEMBERS. IT CONSISTS OF G+5 STRUCTURE WHERE GROUND FLOOR IS ALLOTED FOR CAR PARK AND THE REST OF THE FLOORS FOR RESIDENTIAL PURPOSE WITH TYPICAL FLOOR PLAN DESIGNS.

FACADE

FRONT FACASDE

WINDOW ARCH DETAILING

BALCONY DETAILING

CONCEPTUAL SKETCH

KARPAGAM GARDENS

A residential building located in Velachery. it is a g+3 structure. ground floor comprises of office space and car park. rest of the floors are residential. a north facing building with compliance of vastu for structural and interior design.

NORTH FACING VIEW

VIEW2

WEST FACING VIEW

SOUTH FACING VIEW

THIRD FLOOR LIVING AREA

VELACHERY RESIDENCE

ACTION PLAN-
Pekan Merlimau merupakan sebuah bandar dan mukim yang terletak di Daerah Jasin. Jaraknya adalah lebih kurang 23 km dari Bandaraya Melaka dan Muar serta 22 km selatan dari bandar Jasin. Merlimau adalah sebuah mukim di dalam daerah Jasin dengan keluasan 4,674 hektar yang mempunyai 28 buah kampung.

Di Pekan Merlimau, terdapat sungai yang memisahkan Bandar Jasin lama dan baru. Sungai ini adalah salah satu sumber laluan yang penting kerana kawasan asal Pekan Merlimau adalah kawasan jualan tangkapan. Pekan ini juga merupakan penghubung antara bandar dan luar bandar menggunakan kenderaan awam melalui perkhidmatan Bas perkhidmatannya dari Melaka Sentral dan Jasin Sentral. Pekan Merlimau merupakan kawasan bersifat sedikit beralun. Topografi berbukit di pekan Merlimau mempengaruhi struktur bandar menerusi pembinaan yang mengikut kontur. Bentuk tanah berbukit ini secara tidak langsung mengubah garis langit Pekan Merlimau yang lebih bersifat mendatar.

M101S1 -Menghidupkan semula identiti & aktiviti seperti Keris, Silat, Persembahhan budaya, Kopitiam.
M201S1-Adakan Sistem pejalan kaki yang berguna di pekan 
merlimau (keseimbangan kegunaan)
M301S1-Mewujudkan dewan atau pusat komuniti untuk kegunaan aktiviti 
rekreasi dalam bangunan, aktiviti kemasyarakatan dan sebagainya.
M401S1-Menambahbaik infrastruktur jalan dan landskap untuk memberikan keselesaan kepada pengunjung.

MASTER PLAN

optic view & series view

zone agriculture

This assignment aims to reflect on the semester and present a final report on a proposed design for a building. It should be accessible to city officials, citizens, and construction industry professionals. Topics covered include building codes, lighting, active climate control, building enclosure, renewable energy, water, waste, and sound.

In this collaborative project of the St. Alphonsus Garden Apartments, although the execution was a group effort, a report was mandatory from each group member. This undertaking required effective communication with the group to gather insights, data, and perspectives, transforming our collective efforts into a comprehensive and well-documented project report.

St. Alphonsus Garden Apartments

St. Alphonsus Hall Renovation

Utilizing the cast shadow drawing and techniques observed in lectures. I had to explain how if you change the location of the light source, then the resultant shadows will change in height and length. The drawing should create the effect of casting shadows onto complex geometries using different light angles and directions. The different light sources affect the lengths and cascades of shadows as they come into contact with the projection planes of the geometry.

Super Cube (Ternion)

Ternion Pavilion

Super Cube

Team: 
Ana Clara Cavalcante
Luca Augusto
Gustavo Zorzeto
Ana Paula Gomes
Otávio de Souza

Caio Frederico e Silva
Renan Balzani

Through the holistic lens of nature, waste is a mercurial concept. In a cyclical
dance, living things preserve the dynamic stability that colors the Earth. From
plants to fungi, and back, resources are continually transformed and passed on,
but never wasted. Notwithstanding, fervent as it is, urbanization has long evoked
a different picture. In Brazil (and in many countries alike), this scenario is especially
conspicuous, as waste disposal remains largely unregulated and inadequately
handled.
Accordingly, the loop reframes the avail of human overflow. Inspired by
long-established natural mechanisms, it intends to shelter the most affected
ones: garbage pickers. Leaflike, it mainly runs on sunlight and rainwater, while
wastewater and organic residues are harnessed through methanogenesis for
water heating and stove power. The slightly warped envelope is mostly based on
natural and recycled materials, thus it not only enables a sustainable building but
it fosters scavenging as a fruitful activity in modern society. Furthermore, along
with providing adequate housing, the loop's uses are manifold; its versatile layout
may assume diverse functions according to the inhabitants preferences, ranging
from a repair shop to a handicraft atelier.
Hence, this design proposal paves the way for a mindful landscape, in which both
resources and humans are encompassed by the all-around loop of things.

Lateral view of the Loop microhome in an already reconstructed environment.

Loop Microhome

Applied urban and architectural concept. One can observe the ability to change the landscape and people's lives through the application of architecture.

Land development

Exploded Perspective and Constructive System.

The energy cycle starts with the photovoltaic panels installed on the microhome's roof, which capture solar energy and convert it into electrical energy. This energy is used to power the house and stored in batteries connected to an inverter for later use when there is not enough sunlight to power the house.

In the rainwater cycle, the rainwater tank is used to collect rainwater that can be used for plant irrigation or non-potable purposes inside the house. In addition to feeding the hydroponic tank used to grow plants and vegetables without soil, making it possible to create a garden for consumption.

In the biogas generation cycle, the biodigester is used to treat organic waste and produce biogas, which is used to power gas stoves or other gas-powered appliances, such as gas water heaters. The final residue from the biodigestion process can be used as fertilizer for gardens and farms. The gas water heater is used as a source of hot water for bathing.

In the wastewater and organic waste cycle, constructed wetlands are natural water treatment systems. This process is carried out through the use of aquatic plants and microorganisms that absorb and transform nutrients and contaminants into harmless forms for the environment. The tertiary treatment of wastewater is used to purify the water that comes out of the house. This process removes unwanted contaminants and nutrients, making the treated water suitable for non-potable uses and stored in the wastewater tank.

Offgrid System

LOOP

Sustainable food production and consumption are critical societal demands all around the world. In an era of scarcity of natural resources, frequent climate change, and a society heavily hit by food insecurity, expanding access to and supply of food with less environmental impact while reducing losses and waste should be a priority.

Urban agriculture emerges as a potential solution to a number of interconnected issues in urban systems, including waste management, health, land use, the possibility of reducing distances between production and consumption, the use of open spaces in the city, the disposal of household garbage, and the generation of occupational activity with subsequent income generation. Furthermore, it can actively impact in city adaptation to climate change and sanitary crises, such as the present COVID-19 pandemic.

The Agroecological Pavilion aims to combine the commercialization of affordable food with uses aimed at education and professionalization in a building lined on the premises of sustainable architecture and open to community participation in order to reduce negative environmental impacts, food insecurity, and food waste. Additionally, it enables a generator of employability, income, and education targeted for people who are in social vulnerability.

The agroecological pavilion - an urban farm - proposed in this work, seeks to explore the ways of protected agricultural cultivation, all guided by the precepts of agroecology and technology applied in agriculture, promoting sustainable productive ecosystems, with maximum preservation of natural resources and minimal dependence on external energies and agrochemical substances. 
The production will be destined for the trade of products and low-cost by-products at fairs, subscription sales or harvest-pay system, sectors responsible for the economic viability of the whole, thus being an institution of business innovation. Only the product that is already intended for something or someone is harvested. What remains or passes from the harvest season goes to the compost plants and/or to a biodigestor, which will produce energy to maintain the building, with waste on the brink of zero.

The proposal is that the farm count with the participation of the community, occupying jobs, enjoying workshops in agriculture, cooking, compostage and food and nutritional education, in order to teach the population - especially the most vulnerable portion - to produce food in their communities, to prepare nutritious meals and with full enjoyment of food and also develop a professional vocation in these areas, seeking the integration of these people through inclusion, employability and information focused on promoting means to ensure access and better quality of food.

In addition, the farm will allocate spaces for research in technology related to agriculture and the community will be able to participate in pedagogical visits to get to know the production and have contact with fresh products, seeking to resignify the relationship of society with food.  

Frontal view

In order to make the project relevant to the location in which it is placed as well as to the program and problem to which it seeks to react, the building's design is based on the premise of establishing the pavilion type.
In order to have protected agricultural structures in urban surroundings, the project aims to investigate what architectural features—in terms of materiality, form, and strategies—are required.
The pavilion will display a variety of protected crops grown using hydroponic, aquaponic, and aeroponic techniques, as well as more conventional soil-based farming methods. It will explore the most environmentally friendly methods of using these techniques by fusing architectural and agronomic technologies.

Further, a pedagogical route by means of external ramps to the building is created to promote a route for a journey guided with pedagogical purposes that are attractive to the external public, seeking to narrow down as relations of production and consumption, in addition to presenting as productive activities of minor impact of the farm for a society and inviting to participate in the community in offices of agriculture, compostage, and professionalization in the area.

Concept Diagrams

Considering the temperate subtropical climate that covers the project implementation region, in the city of Porto Alegre in the south of Brazil, strategies for environmental comfort have been adopted in a passive manner, not only for users, but to ensure the good efficiency of the internal and external cultivation areas to the project.  

During the warmer days, natural cross-ventilation and removal of hot air by fireplace effect are used through the ventilated boards and also high flags in the squads. During this period, mobile polycarbonate panels are used to control the desired direct sun incidence and filter the excess UV rays, and the gap between the double facade is completely free for air circulation. Already during the winter, usually strict in the area of implementation of the project, the facade functions as a trombus system on the northern and eastern sides, where the polycarbonate panels remain closed and the ends of the gap between the double facade close, forming a layer of unventilated air that captures and accumulates energy from solar radiation, passively transmitting heated air to the building, and can have the constant exchange of cold air for hot air. In addition, the lighthouse ventilation is closed to preserve the temperature, while the glass planes receive extensive natural, direct and indirect lighting.

The entire building is designed to function as a productive ecosystem, which seeks to renew natural resources rather than exploit them.

A productive ecossystem

The structural design of the project is given by the choice of the independent systems in engineered wood (MLC and CLT) seeking a relevant response, both for the formal and typological proposal, while at the same time being compatible with the intention of low environmental impact of the building and its function. Wood is carbon-neutral in terms of emissions to the atmosphere, as well as being renewable and mitigating the generation of waste at work by being a high-precision industrialized system.

In this way, it was possible to work with modular streamlining and coordination every 1.20m throughout the project, compiling the structure with complementary components and using apparent installations, significantly reducing losses and cuts.

Structure 

Details

Urban Agriculture as an agent of socio-environmental transformation

Team:
Luca Augusto
Ana Clara Cavalcante
Gustavo Zorzeto
Caio César
Isabela Drumond

Caio Frederico e Silva
Roberta Carolina A. Faria

Women’s role in society is based on an unequal historical construction driven by men. However, both women and men are equally paramount in terms of collective survival. Female fertility also symbolizes the fertility of a people, whose biological cycles are associated with the natural cycles of the Earth. The nature, materialized by the Casamance river, which permeates the Tanaff valley, is an element of fertility, since it is an important inducer of socioeconomic development in this village. The river’s flowing waters signify hope, which is embodied in outcomes from the fields, nurtured, to a greater proportion, by the hands of women.

Inspired by the nature of women, associated with the natural dynamics of the Casamance River, the project pursues the idea of bringing a Social River to the center of Tanaf.

Therefore, the building seeks to embrace encounters between diverse folks through cultural exchanges and knowledge cultivation. This Social River, embodied in the Women's House, symbolizes a place of welcome, development and empowerment, given its ability to support women who have suffered some kind of violence, to train women for the job market and to stimulate debates about gender equity. While the Casamance River tears through the natural landscape, this building seeks to disrupt the local political landscape built by a patriarchal and macho society. This house opens space for women's insertion in the political, administrative and economic sectors, or any other space where they want to occupy. Moreover, its organic and sinuous shape creates environments that favor the democratic gathering of female diversity and,at the same time, unveils, through its curves, the rise of gender equity in the region.

The project is located in Baghere, in a region called Casamansa, in southern Senegal, one of the countries of West Africa. Located south of The Gambia and north of Guinea-Bissau, it is divided into three administrative areas: Ziguinchor, Sedhiou, and Kolda, with a population of 1.5 million people. It is situated in the central region of Sedhiou, in a valley called Tanaff, consisting mainly of a hydraulic basin of 480 km² that includes four other municipalities: Tanaff, Dioudoubou, Simbandi Brassou, and Niagha. The area is characterized by a rural environment with one of the lowest qualities of life in the region, with a lack of access to essential public services.
Climate change has caused the valley to be affected by desertification and salinization phenomena, resulting in the loss of more than 10,000 hectares of cultivable land and affecting aquifers, whose contamination accounts for an average of 60% of infections and diseases. At a micro-location scale, the Intergenerational Center will be located in the village of Baghere, with a climate similar to that of the city of Cuiabá (MT). The land is located in front of one of the main roads, favoring its enjoyment and is mostly flat, with a partially sandy and partially laterite background, surrounded by mango and acacia trees that reach a maximum height of 15 meters.

The project aims to go beyond its materiality, integrating the building with the landscape, people, and local habits in a harmonious and coherent way with the culture and climate of the region. The curved volumetry facilitates accommodation to the terrain while referring to the lightness, strength, and transformative power of the Casamance River, the main means of fertilizing the land and traffic of ideas and technologies. Considering the importance of the natural environment for the socioeconomic development of the village, the design configured to the project prioritizes the association with the extreme climate of Baghere.

Thus, the project develops through studies of solar incidence, wind orientation, thermal and lighting comfort. In addition, a module is extended from its volumetry, which allows for project expansion with the economic growth of the area, optimizing its space and functions. This module consists of the segmented volumetry itself, which allows for the use of the architectural program and ease in the realm of self-construction, with already acquired and specialized technology.

The layout of the Intergenerational Center in Africa was developed in the same way as the building design, using parametric studies to achieve thermal comfort and a sustainable project. The project focuses on a daycare center with spacious classrooms, allowing for ventilation and natural light, as well as an area for assistance, with changing tables protected from direct sunlight, as well as in the kitchen. The temporary lodging for the elderly has zoned rooms with suitable environments for achieving thermal comfort, with shading (using bamboo to create a kind of latticework), cross ventilation (optimized with the study of wind incidence according to the compass rose, dynamic openings that allow ventilation and protect from solar incidence), and chimney effect (through a high ceiling and large openings filled with a bamboo mat produced locally).

Although in the same building, the two proposals have their individualities strongly reinforced by the bamboo lattices used in front of areas 2,3,4,5, and bathrooms, to maintain thermal comfort through solar protection. The proposal aims to promote the vitality of the elderly guests, with direct contact with the children in the daycare center, if desirable, and their integration into administrative and auxiliary activities of the daycare or temporary lodging. Access to the building has been optimized for pre-existing paths, with main access to the daycare area and secondary access to the temporary lodging, allowing not only for thermal comfort but also for sound comfort in the environments. The expansion of the building was designed to maintain a balanced zoning of the spaces, directing the elderly guests of the temporary shelter to areas with the ideal thermal comfort for this typology.

Thermal Performance

Using the EnergyPlus simulation algorithm, an optimization of adaptive thermal comfort was carried out according to ASHRAE 55. The optimization was based on a sensitivity analysis for 5 design changes from the base model (I): change of earth brick walls to rammed earth walls, in favor of thermal inertia (II); replacement of common windows with brick perforated frames, reducing thermal load from direct radiation (III); rotation of the building azimuth from 200° to 255°, reducing solar exposure on the main facades (IV); insertion of bamboo (V) and vegetation (VI) on the hottest facades. As a result, all environments presented less than 65% discomfort due to heat, the expected value for the local climate.


Solar radiation

The solar exposure was examined by the solar radiation incident on the building envelope for four different situations: base model (I); rotation of the azimuth from 200° to 255° (II); insertion of bamboo (III) and vegetation (IV). Therefore, there was a significant reduction in solar exposure on the main facades, as evidenced by the cooler envelope (blue) of the final model (IV) compared to the warmer envelope (yellow/red) of the initial model (I).


Luminous performance

By using the Radiance simulation mechanism, the natural lighting performance of the building was evaluated based on the Daylight Autonomy parameter for 300 lux. Three scenarios were simulated: with the doors always open (i); always closed (ii) and open for 50% of the time (iii).

The construction system is simple to execute and uses techniques widely used in the region. To ensure support and protection against weather conditions, the building is supported on foundation beams, whose concrete is composed of water, cement, sand, laterite rock, and river shells, in a ratio of 1:1:2:2.5:0.5. Self-supporting walls in rammed earth are raised on the foundations. The construction process involves the compaction, every 10cm, of dry laterite soil layers without organic matter, within curved wooden board forms. Above the wall, a 10cm concrete belt is placed to support the roof structure, which is thatched and tied to the battens using wooden needles. A supporting structure made of Jacaranda is provided exclusively for the elevated wooden floor. The main beams of this structure are supported on pillars, while the floor joists are spaced 50cm apart to prevent excessive deflection of the floorboards. The doors of the house, as well as some sections between the wall and the roof, are sealed with woven bamboo, while the openings in the most exposed facades are constructed with perforated laterite bricks.


Materiality and Costs

The material selection was based on sustainability aspects, plasticity, resource availability, local experience, and environmental comfort. Laterite soil is one of the elemental materials of the house. In the form of perforated bricks, it favors natural ventilation and lighting. In addition, it composes the rammed earth walls, which provide cooler and more ventilated environments due to their high thermal inertia. The laterite rock complements the use of river shells as aggregate for concrete, which is limited to foundations and ramps.

The floor is composed of white wooden boards, which rest on a Jacaranda structure, a wood that also integrates the structure of the roofs. Bamboo performs the function of shading in outdoor areas, as well as functioning as a seal for doors and walls, benefiting the chimney effect. Another fundamental plant resource for the project is thatch, used on the roof of the house.

In summary, the use of soil and wood was prioritized because they are widely used resources in Senegal's vernacular architecture, have low embodied energy, and produce little waste. The adopted system facilitates the execution of the project, which was designed in two phases.


Integrated Design

In order to make decisions based on computational simulations in the early stages of the project, the architectural model of the building, developed in the Rhinoceros tool, was parameterized in the visual programming tool Grasshopper. Thus, the geometric information was complemented and explored for the generation of an analytical model, adapted for the performance of thermal and lighting simulations using simulation tools made available by the Ladybug Tools plugin. Therefore, changes in the architectural model, such as geometry, shading and orientation, were automatically translated into the analytical model, which provided feedback on thermal and lighting performance. The development of an integrated design favored the dynamism and flexibility of design choices, resulting in a project that was both aesthetically and environmentally appropriate.

Rain gardens and hydrological cycle

Rain gardens were central to the landscaping project. To assist in the collection of rainwater and the preservation of the hydrological cycle, the allocation of rain gardens of approximately 100m2 was planned, which can be expanded as the project expands. These elements contribute to the maintenance of the water cycle on the land and were strategically located at the lowest points of the land and with the highest flooding, to facilitate the drainage of water to the groundwater table. The project has a social commitment as it anchors the bioclimatic dimension to the dimension of urban resilience, seeking to contribute to the Sustainable Development Goals (SDGs).

Woman´s House

This project explores the potential of advanced generative design techniques in the context of complex urban reconstruction initiatives, specifically those necessitated by seismic catastrophes. The historic town of Amatrice in Italy, which suffered extensive damage from a series of earthquakes between 2016 and 2017, serves as the focal point of this investigation. The project employs a comprehensive 13-step design framework that encompasses urban planning, architectural design, and detailed elaboration. This framework seeks to optimize design elements based on three core principles: authenticity to the site, urban performance, and seismic resilience. Authenticity ensures that the newly created structures echo the most distinctive features of the local architecture, thereby preserving the town’s unique cultural identity. Urban performance pertains to the adaptation of the space to meet the functional needs of a modern society. Seismic resilience involves the strategic adaptation of urban fabric and individual buildings to withstand seismic activities, thereby minimizing the destructive impact of future tremors. The project provides an in-depth account of the considerations and constraints encountered during this intricate process, offering valuable insights into the challenges and rewards of such an endeavor.

Destroyed Amatrice Recovery

To begin our narrative, we must first ask ourselves: What is a Utopia? Philosophers and writers have asked themselves the same question, and their writings picture dozens of different utopic scenarios. From Plato to Marx, from Thomas More to H.G.Wells, their texts led us to reflect on our society and what we seek to achieve for humanity. From the most fantastical to the more cynical utopic scenarios, the concept of Utopia generally dwells on the balance between the individual and collective needs, the harmony between the happiness and freedom of the individual and the collective necessities of his community and the whole of society. 

In that way, the concept of Utopia is deeply connected to each individual’s personal view of the world, his thoughts, and experiences, as well as the collective needs, flaws, and challenges of each society in its time. To think about a Utopia is to think about the future we would like to achieve for ourselves and the others around us, it is to dream about the society we would like to be a part of.
To wonder what the future would be like has always been part of our society’s collective imagination. For the last centuries, humanity has imagined many different futures.19th-century illustrations depict futuristic cities with dozens of airships, balloons, and machines assisting or replacing humans in toilsome tasks. Concept arts from the ’50s and 60’s illustrate flying cars, rockets, space stations, and robots.

Whatever the age we live in, our dreams of the future always seem to be a reflection of our own time. Our collective imagination is bounded by the necessities, the technology, the challenges, the culture, and even the aesthetics of the present. When we think about Utopia, our thinking is limited to the problems that can be perceived in nowadays society but we, of course, fail to perceive the problems that are yet to come. Imagining the future has always been a tough task, and through the ages, technology has always been the focal point of our dreams about the future in illustrations and books. What technologies will the future bring? What new challenges will technological advancement bring to society?

With the emergence of Artificial Intelligence our society is once again fearful about the future and our relation with technology. Technology advances faster than we can keep track of and it once again threatens to change or dismantle the structures of our society. The illustrations from the past have always shown the machines replacing us in laborious tasks as a good thing so that humanity could concentrate on activities that required thinking and creativity, but now, even that seems to be at stake.

It makes us reflect not only about technology but about our society itself. Why do we feel threatened by something we created ourselves? Why the idea of a machine doing our work for us is something that causes us fear, instead of relief? 

In my own personal Utopia, technological advancement has evolved not to turn Man obsolete but to relieve the burdens of his life. In this utopic society, the true value lies in human life itself, not in what it can produce, and every man and woman is free to do what they choose with their time on this Earth without being threatened by poverty and humiliation, while the machines work on the most arduous task, such as industry and agriculture. In this society, universal basic income guarantees that every basic need of people will be attended, to so they can spend their time not for generating profit, but for personal growth. Where people may dedicate their lives doing what they truly love, and work not for greed or survival, but for solidarity and the collective good and advancement of society. Where their work not only is fairly compensated, but fulfilling as an effort towards the collective wellbeing. In this Utopia, people can spend less time worrying about money or pointless consumption and more time dedicated to their loved ones, art, religion, philosophy, and the search for enlightenment.

The creation of this Utopic society might seem completely naïve, unreal, and impossible by any means, maybe just as impossible as the things we see in those 50’s illustrations, the families cutting through the city sky in their flying Cadillacs or the hotels on the moon. My predictions for the future, my own personal Utopia is probably just as imprecise as theirs, and that is why I wanted to represent it in an aesthetic similar to those mid-century retro-futuristic concept arts, with a focus on its architecture and urban design.
To conclude, I'd like to cite a quote by Fernando Birri, made famous by the Uruguayan author Eduardo Galeano. When asked what is the purpose of a utopia, he answered: “Utopia is on the horizon. I take two steps closer, it takes two steps away; I walk ten steps and the horizon runs ten steps further. It doesn’t matter how much I walk, I will never reach it. What is a utopia for? That's what it's for: so that I don't stop walking.”

A futuristic self-sustainable city, filled with gardens, parks, and nature. A city designed by and for the people. Walkable streets and public transport take you everywhere you need to be. A city accessible to all its inhabitants, not divided by class or racial profiles.

Aerial view of our Utopian City Landscape

The streets of this utopic city are lined with gardens that bloom with colorful flowers and lush greenery. The scent of fresh herbs and blooming flowers fills the air, making every stroll down the street a delight for the senses. The gardens are tended with care and attention, creating a harmonious and peaceful environment where both humans and nature thrive together. It's a true paradise in the midst of the bustling cityscape.

Street level view of our Utopian City Landscape

Eye-level view of the gardened streets

In this Utopia, the conservation of the environment is not just a distant concern, an issue beyond the grasp of the common man, but a genuine interest of each individual and society as a whole in contributing to causing the least amount of damage to the environment, to produce the least amount of waste as possible and to live in the most sustainable way possible, in addition to always seeking technological innovation to reduce our impact over the planet.

Public transport in our utopic city is truly a marvel. The network of buses, trams, and trains is extensive and highly efficient, with frequent and reliable services that make getting around a breeze. The vehicles themselves are eco-friendly and equipped with the latest technology, ensuring a smooth and comfortable ride for all passengers. 

The outside view of a futuristic multi-transport station

People live in a peaceful and safe community where everyone is friendly and welcoming. The building itself is modern and well-maintained, with stunning views of the city skyline fand beautiful gardens on its rooftops. 

Outside view of a residential building

The modern yet vintage-looking apartment is spacious and bright, with all the amenities a person could ask for. With easy access to public transportation and plenty of services, schools, hospitals, shops, and restaurants are within walking distance. 

Inside view of an apartment

There is no more need to devastate millions of square kilometers of forests and nature for agricultural purposes. No more need to exploit the lives of millions of animals. These enormous Vertical Farms can produce agro-toxic free lab-engineered food for thousands of people while only occupying a small portion of the soil.

A glimpse on the monumental Vertical Farms

Culture and art are essential to the human spirit, and are an inherent aspect of our utopian society. Without the need of working for survival, people can dedicate their lives to higher purposes, such as art, philosophy, and politics in academic spaces such as this one.

The inside of our retro-futuristic Library

In this Utopia, diversity is not only tolerated but celebrated. Different cultures, creeds, ethnic and social groups live alongside each in harmony, and their differences are no longer the cause of prejudice and fighting, but admiration and interest for one another. The pursuit of spiritual enlightenment is highly praised in this new society. 

A Temple for religious diversity

A Retro-Futuristic Utopia

Bogota, the capital of Colombia, is one of the most vibrant and culturally rich cities in Latin America. Throughout its history, Bogota has been home to a large number of indigenous, Afro-descendant, mestizo and foreign populations, which has generated a mixture of traditions and customs.  We can understand Bogota as an intercultural space where different populations converge and coexist in a city that celebrates its diversity. Colombia has a rich musical history as well, which has been nurtured by the influences of different regions of the country.  Although conditions have not always been adequate for different cultures to live together in harmony, the city has made progress in promoting interculturalism and respect for differences.   

From this, Odeon Center was born, a cultural center based on the understanding of music as a universal form of expression and a powerful tool to connect people, regardless of their cultural, social or economic background. This architectural proposal is a micro-cluster of music, a platform to celebrate music and explore this cultural richness through exhibitions, workshops, teaching spaces, classes, concerts and other events.   

Initially this project was born from an intention based on the concept of fusion. This, materialized by creating a “knot” folded building that is constructed by means of a double fold, which unfolds organically merging with the ground. It then grows, weaves, and becomes the walls, floors and ceilings. In this way, the entire program is enveloped by its passage, responding to the particular needs of each space in relation to areas, heights and lighting. Finally, the folds fade into the sky.  

Architecture as a musical instrument.  

The building was design in order to formally communicate the experience of music: rhythm, movement, tempo and harmony. In this way, architecture is aimed to be transformed into a melody, into an architecture that sings. Inside the building, the world of music is celebrated in different thematic areas. A program that houses didactic and experimental teaching spaces, commercial areas, exhibition spaces, entertainment, and an auditorium. This cultural center proposes a variety of educational programs and activities for all ages, an articulating axis where architecture becomes an important tool for the cultural development of the city. Odeon center is a space where people can gather to listen and play music, it is a way to foster unity and social cohesion in the city.  

The architecture from the promenade architecturale  :

The building has multiple paths. The first floors invite people to enter the project and experience it in different ways: entering by the subway, directly on the street and by going up to the upper floors. Stairs and ramps are strategically placed, always keeping in mind the search for a continuous and fluid spatiality, a promenade accompanied at all times by music.  

The architecture from the concept to its materialization:

  From these conceptual intentions, the structural system is based on a central core in concrete from which continuous viereendel beams in steel are detached giving support to the cantilevers. One of the challenges of this project was to design curved steel beams hidden between the folding that gives greater rigidity to the structure. The slabs are lightened by means of cassettes.   

Architecture in harmony with the site:  

The building is implanted consciously and harmoniously with its context. This contemporary architecture based on the concept of merging with the ground and the context of the site is an innovative and respectful way of integrating modern architecture into the rich cultural and architectural history of the city. Another way to merge the building with the context of Bogotá is to include local cultural and artistic elements in the architecture of the building. This is manifested through murals, sculptures and many others types of public art, which represent the history and culture of Bogota and where different communities can find a space for expression and integration.  

This unconventional building aims to become an architectural landmark, an emblematic building that stands out in the urban landscape, attracting the attention of locals and tourists, which in turn has a positive impact on the local economy. The building's design is attractive and memorable, a design that takes into account the acoustics and the structure's ability to accommodate different programs. By becoming an architectural landmark and a space for social integration, the building fosters the connection between different communities and becomes a reference space for culture and music in the city. Finally, Odeon Center is a project that understands that music is a universal art form that can unite people and improve the quality of life in the city, and that together with architecture it can promote spaces for the social integration of the different cultures and communities that coexist within the city of Bogota. This architectural proposal is an invitation to celebrate the cultural richness of Colombia.

This back- side axonometric view shows the general design of the tower by means of a double folding that conforms all the spaces of the building.

Axometric back view 

This zoom drawing shows different layers of information from the building , it allows to understand the internal steel structure,  and its relationship with the envelope . 

Envelope and structural system in transparency 

This section of the building allows us to understand the internal relationship between the spaces, the continuity of the folding and the structure. In addition, the "heart of the project" is evidenced by a closed space made of metal that crosses several floors. This unique place is designed to allow sound to travel through several spaces to have a sound experience where the building becomes a musical instrument.

Longitudinal section

This isometric plan view of the 3rd floor shows a music retail space, and a live music space. In addition, it shows the way in which the building unfolds from the ground revealing different accesses across the floors.

Isometric Floor Plan - 3rd floor

This isometric plan view of the 6th floor shows the "heart of the building" this meeting space covered by a metallic structure, it also shows how the building is a space that invites people to appropriate it through various artistic manifestations such as graffiti.








Design: Sofia Hernandez & Amadeus Arteaga
Tutors: Claudio Rossi & Daniela Atencio


Isometric Floor Plan - 6th floor

Odeon Center; A space to celebrate Colombia’s cultural richness

Situated on Gowanus bay and aiming to revitalize the once-industrial waterfront of Sunset park that is being rapidly gentrified, the factory is an urban metabolism that renews the site while also transforming organic food waste into innovative raw materials, thus creating a closed loop system. In addition to its productive, social, and educational aspects, this urban metabolism provides a rich natural habitat for the local flora and fauna. The factory edges are a living shoreline and deep landscape serving as a mitigator between machine and the environment. The wetlands carry the flora of the dry landscape into the water, providing additional types of wet habitats. The water plants do their part in cleaning pollutants from Gowanus Bay. The landscape operates as a tool for soil bio-remediation. It is planted with crops such as mushroom. The mushroom roots, or mycelium, have many benefits for eliminating pollutants embedded in the depths of the soil.

The dense covering of the factory creates a threshold between the controlled and mechanized processes of the interior with the wildlife that activates the site. The roof is heavily planted with lavender as to infuse the air of the adjacent neighborhood with fragrant aromas rather than smelly food waste. The building is strategically situated as to take advantage of the prevailing winds both in the exterior and interior functions.

Working Landscape - Pedestrian Entrance

The complex consists of open air, semi enclosed, and enclosed spaces. Essential spaces include the waste processing room, the triple deck refinement platforms, the bio-packaging manufacturing workshop, the processed goods export hall, the water treatment and energy generating rooms, the mushroom processing space, the hands on visitor classroom and the offices.

Ground Floor Plan

Skylights run across the roof structure in alteration with planters to provide a well-lit and ventilated space for all workers within the building. The planter beam structure of the roof folds down to shape the facade of the factory. This facade is planted with mushrooms. The mushroom roots, mycelium, are harvested and used in factory processes in combination with organic food waste to manufacture biodegradables.

Water Edge - Planter Variations

One of the main focuses of the factory is the educational component. Its program falls in line with NYC Mayor DeBlasio’s initiative for food waste as the next recycling fronteir. The invisible processes of transforming agrowaste into innovative raw materials are made visible for everyone to observe. Organic waste travels to the site on barges, reducing carbon emissions from vehicular transportation. This factory introduces a significant shift in the paradigm, shrinking distances and transforming waste into biodegradables, offering an alternative to a linear model where waste ends up in Landfills.

Factory Processes

This living remediation machine is a deep landscape. It emerges from the soil and grows incrementally. The productive beds are sloped with two orientations. While the mushroom beds face north and are planted with heavy tree canopies for shading, the crop beds face south. These planting beds are used for lavender as well as urban farming. The planter beams of the roof are a continuation of the landscape. They vary in depth, sometimes even extending from the roof to the ground. Along the walkable roofscapes are ramps leading down into the building. They function as viewing platforms for visitors to see into the activities of the factory floor. This bustling urban metabolism renews the site on a daily basis. It has many scales of impact, from the very local to the larger urban.

This project was done in collaboration with Yasmin Ben Ltaifa.

Organic Waste Processing

Urban Metabolism: The Factory Studio

A RESIDENTIAL PROJECT LOCATED IN VELLORE FOR MR.VIJAYAKUMAR. THE STRUCTURE COMRISES OF G+1 FLOORS WITH VASTU COMPLIANCE. DESIGN REQUIREMENT WAS FOR A COVERED CAR PARK LIVING AREA A BEDROOM AN OPEN KITCHEN DINING AREA AND A DOUBLE HEIGHT COURTYARD FOR POOJA AREA. TREST OF THE FLOOR COMRISES OF TWO BESROOMS AND AN ENTERTAINMENT ROOM

FRONT FACADE

VIEW

COURTYARD

COURTYARD VIEW

CONCEPT SKETCH

VELLORE RESIDENCE

This is an enchanting and innovative neighborhood park, spanning 30m x 60m. Designed for all age groups, it merges recreation and relaxation with a focus on microclimate, environment, and community.

Key Features:

-Swan Pond: Aesthetic artificial pond shaped like a swan, enhancing biodiversity and water conservation.
-Leaf Seating: Ergonomic seating spaces mimicking natural leaf structures for comfort and sustainability.
-Spider-like Gazebos: Intricate gazebos providing shaded gathering spots, inspired by spider-like structures in nature.
-Flower-shaped Seating: Aesthetic seating areas near gazebos and within the playground, fostering community engagement.

This park not only enriches the microclimate but also promotes environmental consciousness and community well-being through biomimicry-inspired design.

This plan covers 1800 sq. m. area. It includes pedestrian circulation, all the playgrounds, artificial pond , water court and covered, semi-covered and open seating spaces with relation to nature inspired elements and designs.

PLAN OF PARK

The gazebos are inspired of "Spider-Structure". it is a semi-covered seating spaces with water court around. There are 3 units and each of them have 3300 mm. of diameter. 

GAZEBOS

This covered space provides a comfortable seating space for every age group. It covers 35 sq. m. of area and can accommodate minimum 10 people at a time.

COVERED SEATING SPACE

The open seating space consists of steps, seating areas, artificial pond . open and green areas. It levels up to 2400 mm. from ground. The artificial pond is a "Swan-Shape" and the whole structure is inspired of a "Leaf-Structure". This is a relaxing and an eye-catching structure.

SWAN-LEAF SEATING SPACE

The entry has this innovative structure that users will find very attractive and it also cast a beautiful shadow.

ENTRANCE STRUCTURE 

A seating which has a shape of Flower. Where Petals of Flower allows users to sit and relax. 

FLOWER SEATING

This park blends recreation and relaxation, inviting people to explore a environment where nature-inspired design and the joy of communal living combines together.

RECREATIONAL AREA

NEIGHBORHOOD PARRK DESIGN

We learned about the basics of adaptive interventions during our field trips and lectures. We were learning about restoration, reproduction, and reconstruction. Also, the research from the likes of John Ruskin and Villoet Le-Duc. During these lectures and field trips, we had to show our research in these analytical postcard drawings.

In spatial analysis, particularly about architectural elements. It highlights the use of the term to describe the succession of planes or spatial sequences within a space. The example of a room is discussed, emphasizing the layers created by architectural features like door-like openings, buttresses, and fireplace blocks. Franco Fonatti's interpretation extends the concept to the facade, associating spatial layers with creating depth and perspective. The text also touches upon material stratification, drawing parallels with geological layers, and mentions intentional construction resolution, where building components are divided into distinct elements for different functions.

Spatial Layering

The perpetual prioritization of newness-value over age-value in historical relationships. The perspective on history constantly evolves, shaped by the artistic will or kunstwollen. Artistic value inherently conflicts with age value when viewed through kunstwollen, emphasizing a continual emphasis on constant newness value. The overarching theme is the relativity inherent in historical relationships, where value evaluation is dynamic and subject to changing perspectives.

Rubble of the Temple of Antoninus

The diamond shape symbolizes life cycles, while the quilt pattern represents a nurturing community. A circular pattern creates a new focal point in the historical network of intersecting paths within the commons. The design intentionally contrasts with traditional monuments dedicated to "great men," offering a counterpoint to hero worship through embracing and community-focused elements.

The Embrace

In 1961, Boston embarked on a mission to create a modern city. Town Hall is in the city's heart and has a history of 330 years. The standard architect selection process location, Mayor John F. Collins, Re-leases Statewide Draft First Contest for American City Hall San Francisco in 1906. The final stage of presentation drawings for the east facade shows how light and shadow are created. Form a bolder particular civic space than the administrative space mentioned above. The dark horizontal band represents the platform planned to span Congress Street as the competition requires. This comprehensive platform provided the main entrance to the Town Hall from the east and its three other entrances.  