Competition brief

Domestic Revolution

Design Competition

Domestic Revolution

Key Dates

Registration deadline: August 27, 2023 12:00 AM
Submission deadline: November 27, 2023 12:00 AM
Winners announcement: November 27, 2023 12:00 AM

*All times are in UTC

Prizes

Prize pool 6000 USD

Domestic Revolution

In her book, 'Domestic Revolution,' Ruth Goodman proposes that a seemingly small change in the way Victorian households fired up their iron range (from wood to coal) fundamentally altered not just our domestic comforts, but our entire world. This domestic demand for more coal led to the expansion of mining, engineering, construction, and industry, kick-starting, pushing, and fueling the Industrial Revolution. Similarly, small shifts in our day-to-day practices can trigger something big, '''something unprecedented--something that spreads across the globe and revolutionizes the way we live.'''

Challenge

For this competition, entrants are encouraged to envision an installation that can make a big impact in the way we use patio. Can this seemingly small part of the house change the way we live? Perhaps we have not discovered the full potential to utilize such a complex intersection of social boundaries. Your solution should be innovative, feasible, and have the potential to create positive change when replicated on a larger scale.

Jinsu Park is an architectural designer currently working in Switzerland with previous work experience in S. Korea, USA, Canada and Japan. He has obtained his Bachelor's in Architectural Studies at the University of Waterloo in Canada and is in the process of obtaining his Master's of Science in Architecture at the Mendrisio Academy of Architecture in Switzerland. Jinsu has an interest in human scale design and the vernacular of different regions all over world. His work has been exhibited globally including in Canada, Japan and most recently at the 17th Venice Architectural Biennale in 2021.

Michael Fohring is a co-founder of Odami, a Toronto-based design studio. The studio’s work ranges from architectural design to interiors, furniture, and small objects, and has won local and international awards, including the Designlines Designer of the Year, an AN Interior Award, and a Canadian Interiors Award. Through challenging the conventions of typology and traditional building techniques, the studio’s focus is to produce work which is highly contextual and well-crafted, yet playful and unexpected. Prior to starting Odami, Michael worked in architectural offices in Montreal, Toronto, and Austria. In addition to the work of the studio, Michael has maintained a regular role as a sessional instructor since 2017, teaching at both the Toronto Metropolitan University School of Interior Design and the University of Waterloo School of Architecture. Michael completed his B.Sc.Arch and M.Arch degrees at McGill University in Montreal, where he was named to the Royal Architectural Institute of Canada Honour Roll, and was awarded the AIA Henry Adams Medal and the RAIC Student Medal. Michael was also named amongst 30 international designers under 30 in 2018, awarded by the New York City-based One Club for Creativity.

Arancha González Bernardo (B.Sc.Arch, M.Arch: ETSAC, A Coruña, Spain; BCIN) is a Spanish architect and co-founder of Odami, an architectural and design firm based out of Toronto, Canada. Founded in 2017, the studio focuses on residential and commercial projects, supplemented with material experimentation and furniture and object design. Prior to co-founding Odami, Arancha worked in offices in Spain, Austria, and Canada, collaborating on projects in cities across Europe and North America. Arancha completed her studies in Architecture at the Escuela Técnica Superior de Arquitectura in La Coruña, Spain, with a specialty in Theory and Design. In addition to Odami, Arancha is a Sessional Lecturer at the School of Interior Design of the Toronto Metropolitan University.

Mark is committed to the exploration of visual compositions and spatial experiences using digital tools. In addition to his architectural training, he has a background in oil painting and building envelope consulting. Having participated in and won multiple design competitions in his time as a student, he is keenly aware of - and always challenging - the boundary between virtual architecture and built architecture. Mark is currently an architectural designer at Henriquez Partners Architects in Vancouver. He Holds a Master of Architecture from Harvard University’s Graduate School of Design and a Bachelor of Architectural Studies from the University of Waterloo.

Honorable Mention

THE NOMAD CARAVAN

THE NOMAD CARAVAN

THE NOMAD CARAVAN - AN ECO CLUSTER OF NOMAD CARAVANS - THE MOVING CITY - THE TRAVELLING CARAVAN COMMUNITY - THE SOLAR CARAVAN CITY - EPILOGUE : THE NOMAD COCOON CARAVAN - ECO CLUSTER OF CARAVANS - CARAVAN CITY - THE MOVING CITY In my perspective one of the main villains of the global warming saga is PLASTIC. Of the 6.3 billion metric tons of plastic waste created historically as of 2015, only 9% has been successfully recycled. Of what remains, 12% has been incinerated into the air, and 79% has accumulated as landfill or spread as trash across oceans and landscapes. Compounding this problem, international manufacturing and low transportation prices have grown a massive global waste trade industry. Plastic waste is dispatched from the world’s largest economies and makes its way to countries with lax regulations where it has devastating effects on public health and the environment. Despite local attempts at recycling, the problem of plastic waste is global in scale. How can we address the international state of global warming with a single design decision while also taking into account that plastic is everywhere? How can my concept solve this global problem through its tipology, materiality in a way that is understandable to both children, adults and the world at large? The caravan always took humans everywhere they needed to go and facilitated our evolution as a species. Whether in the beginning of time it was made of a wooden frame and had wooden wheels or stone wheels driven by bulls, horses or camels, or that nowadays the caravan has evolved and is part automobile with a metal structure and has an engine, its purpose has always stayed the same : to take you from one place to another. Even then, people were using caravans as living spaces, sheltering from the wind, the heat, the night, the cold and predators by always setting up camps after a day’s journey and all gathering around the campfire. They used to cover the caravan with a fabric, a piece of cloth, that would extend into a tent and provide them with safety and comfort. They used to produce food by doing agriculture, hunting and gathering, but they were always moving with caravans untill those caravans turned into settlements and then into cities. This concept is not so common nowadays since humans live mostly in cities, but what if we would bring it back and make it better? With these questions in mind, I choose to embrace plastics and not deny them. This proposal invokes an easily recognizable symbol of our global exchanges: the international plastics used everywhere around the globe. The recycled polyester fabric as an architectural object and as a literal representation of waste trade, enhances the project’s use and avoids common tendencies to aestheticize plastic waste itself. Rather than producing an amalgamated form made from waste or disregarding the use of plastic, we give it a new life by accepting that it is everywhere and that it is better if we work with recycled materials derivated from plastics, materials such as polyester fabric, denim jeans fabrics and cotton fabrics. I also embrace the ideea of using recycled car / caravan parts to build a solar powered electric vehicle, because cars are here to stay, so its better to reuse indefinetely their parts for the common good rather than to let it go to waste. Set as the underlying structural order of the building, the quotidian plastic bottle and PET yarn and polyester fiber is elevated to an architectonic level by using its recycled form. The caravan is threaded through several channels onto a repeating bay system made of recycled high strength Q 235 Steel tube frames that are interlocking each other and slide into 2 railings thus making the caravan expandable twice its length. Encased in a solar canopy / sail made from recyclable high strength polyester fabric, with holes in its for the windows and zippers to open and close them, the self-propelled building module is protected from the elements while allowing daylight to filter in. Conversely, the structure becomes a beacon for the community at night. The form seeks to promote an architecture of multiplicities: domestic, industrial, traditional, and contemporary by taking an old typology and optimizing it for the global warming that we are facing. What if the concept of the caravan responded to the bioclimatic design that is required in nowadays context of global warming and also be affordable?

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Vasile-Codrut Iuga

October 2, 2023

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