In the long distant future, the interbreeding of faith and technology gives birth to a deviant architecture. There is a place for God in a completely mechanical world – experientially, conceptually, and institutionally. Religious buildings no longer represent real places but serve as imaginative constructs that reflect various aspects of human experience, desire, and perception. They emerge from the shadows cast by decayed digital data.
Suspended in the air above fierce waves, they highlight the transient and ever-changing nature of human connections.
Tina Wang
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